The Middle Ages
Tickets and Information
SHOW INFORMATION
CURRENTLY CLOSED
Opened Nov 2, 2008
Closed Nov 23, 2008
Opened Nov 2, 2008
Closed Nov 23, 2008
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WHAT IS IT ABOUT?
In the Middle Ages, the focus is on family. Set in one room - the trophy
room of a men's club - from just after World War II through the late 1970's, the
play illustrates the conflict between long-standing traditions and the
pressure for change. Son Barney needs to break free, but his father Charles, the
president of the men's club, locks him in the trophy room when he misbehaves.
On one such occasion, he meets the shy Eleanor, falls in love, and spends the
next 30 years trying to win her over. Meanwhile, her mother, a social climber
hungry for stability, strives to break into this rapidly failing world.
THEATER/VENUE INFORMATION:
Kirk Theatre
410 W 42nd St
New York, NY 10036
The Kirk Theater is located on the second floor of the Theatre Row Complex and it features fixed, plush seating as well as heat and air conditioning. The Kirk Theater holds the four walls of the original Beckett Theater (although it resides one floor [...] Read More
410 W 42nd St
New York, NY 10036
The Kirk Theater is located on the second floor of the Theatre Row Complex and it features fixed, plush seating as well as heat and air conditioning. The Kirk Theater holds the four walls of the original Beckett Theater (although it resides one floor [...] Read More
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recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
©1999-2012 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy
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In Theatre Breaking Through Barriers' merely serviceable production of A.R. Gurney's The Middle Ages, now at Theatre Row, the biggest problem isn't that actor George Ashiotis, as WASP patriarch Charles, doesn't make eye contact with the other players or the audience -- because he happens to be blind. It's that he's simply miscast in the part, lacking the necessary stature, authority, and, perhaps most importantly, speech patterns of this powerful man. Adding to the misfit, costume designer Chloe Chapin has him got up in outfits that would make a bona fide defender of the old guard blanch.
Yet, there are other good attributes on view in this revival of Gurney's 1977 play, which is often rega[...]