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The Gods Are Pounding My Head! (AKA Lumberjack Messiahs)
Tickets and Information


SHOW INFORMATION

This show has not yet been rated.

CURRENTLY CLOSED
Opened Jan 18, 2005
Closed Apr 24, 2005

WHAT IS IT ABOUT?

After last year's overtly political production, King Cowboy Rufus Rules The Universe, Richard Foreman is back in metaphysical mode with his new play The Gods Are Pounding My Head! (Lumberjack Messiahs). Celebrating 37 years of mind-bending artistry, 67 year old Foreman creates what he describes as the culmination of his many baroque and wildly theatrical pieces; after this year's climactic extravaganza, he plans a move into a more meditative mixed media mode.

The Gods Are Pounding My Head! (Lumberjack Messiahs) is a heart-rending yet comic meditation on the theme of destruction, or if we step back a few feet, the twilight of the West as we know it. Two bumbling lumberjacks, after a lifetime of clearing the forest, find themselves at the edge of a gaping void. But they eagerly anticipate good news that seems hidden in sweet drops of honey deposited by busy bees. However, as with all Foreman landscapes, there is dread mixed in with their imagined pleasure, as they encounter a beautiful, irreverent princess who taunts them with the mysteries of sex, death and desire.

THEATER/VENUE INFORMATION:



The Ontological Theater at St. Mark's Church
131 E 10th St
New York, NY 10003


WHAT ARE CRITICS SAYING?

"I have always felt that I am a closet religious writer," writes Richard Foreman in the introduction to his book Unbalancing Acts, "in spite of the aggressive, erotic, playful, and schizoid elements that decorate the surface of my plays." Theatergoers who have even a passing familiarity with Foreman's work might view this remark as an understatement. After all, this is the guy who founded the Ontological-Hysteric Theater, uses the word "metaphysical" as often he employs articles like "an" and "the," and occasionally sprinkles Hebrew lettering and crucifixes around the sets of his shows. Though a Foreman play is never the stuff of a weekly sermon, it's clearly the work of a man upon whom va[...]


Reviewed by Adam Klasfeld on Jan 21, 2005

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