SHOWS AND TICKETS
- Concerts / Events
- Family / Kids
- Magic Show
- Performance Art
- Solo Performance
- Stand-up/Sketch Comedy
AND reset dates
The quest for a plot! The glamour of despair! A tale of love and honey...
As eight individuals search to find a home in the theater, they stumble upon a strange catalyst that weaves them all together...bees! A story full of heart, BUZZ, Son of a Bee gently reminds audiences that a life in the theater can sting you, but it can also be as sweet as honey.
This musical journey takes audiences back in time — specifically, to when "soul" emerged as a style of music. Berry Gordy's Motown label and his studio band the Funk Brothers helped popularize soul music, as did Stax Records' Booker T. & the MG's. Before long, James Brown became the "Godfather of Soul" and Aretha Franklin its queen.
Now vocalists Prentiss McNeil (of the Drifters) and Bruce Wayne (of the Midnight Movers, Wilson Pickett's backing band) lead this classic soul revue. Their energy is unmatched; their showmanship, breathtaking. A Decade of Soul is a passion-driven tribute; the passion may even drive audience members out of their seats and onto their feet.
Grand Theft Musical is a boisterous, bawdy, bang-bang, world-premiere musical comedy, which openly purloins from some of the greatest examples of the genre to hilarious effect. The diverse cast of 17 zany characters relate to, deal and double-deal with, fall in and out of love and in and out of bed with each other, all while singing and dancing up a storm. Grand Theft Musical is a sophisticatedly silly, satirical lampoon yet a warm embrace of Broadway and all things theater...with three choreographers. Based on Robert Sickinger's 1994 musical Platinum Taps, it was written by Lissa Moira, who also directs. John Taylor Thomas composed the music.
Travel back in time to meet famous and not-so-famous kids who changed the world, such as Ben Franklin, Eleanor Roosevelt, the Wright brothers, suffragettes, and Martin Luther King Jr.
In 2005, a mother and daughter living on the Upper West Side fall victim to Hurricane Katrina. As they excavate their apartment riddled with pop culture detritus, the ever-shifting parameters of feminine performance begin to chafe. Pairing traditions of drag performance with elements of conventional absurdist theatre, It's All Coming Back to Me Now says goodbye to the romance of yesterday's America through an examination of Canadian pop music, spearheaded by snow diva Celine Dion.
Fads come and go, and aesthetic poetry is all the rage in town these days, especially among the maidens who have all become groupies of the self-styled poet Reginald Bunthorne — to the dismay of their macho military boyfriends. All but Patience, the virtuous village milkmaid who claims to have never loved anyone. She doesn't care for poetry much either, and, as it turns out, neither does Bunthorne! While Bunthorne is infatuated with Patience, she falls for her childhood crush Archibald Grosvenor, another famous aesthete who attracts women even faster than Bunthorne. The rigid military men attempt to win back their ladies by comically attempting to be willowy poets, but, when exasperated Bunthorne challenges Grosvenor to give up the current aesthetic craze, he does so willingly — and everything backfires.
Every week the cast takes a suggestion from the audience and turns it into a fully crafted musical. Each character is made up on the spot, as are the song-and-dance numbers! Led by Magnet Theater musical director Frank Spitznagel, Premiere: The Improvised Musical features a cast whose professional credits include Comedy Central, HBO, and Second City.
This is a story of convergence. This is what happens when the mundane, the unimaginable, and the horrors of reality meet. We are living in a time in which society has encountered immense stress, destruction, failure, and hate. But we continue living. We continue to go about our everyday lives. We all have a story to tell within this overarching global narrative. These are the lives of five people facing the world, telling us their stories, trying to stay afloat amid the chaos. Welcome to everyone's everyday.
Earth has gone to the dogs, literally. After "the incident," humans have gone underground and into space, leaving dogs to run the planet. But the Space Pirates have decided that they need to pave over Earth to put up a parking lot for their new nightclub on the moon. The Puppies have to join forces with their archenemies the Ninja Kittens and, along with the assistance of the Great Oracle, must seek the power of the greatest weapon they've never heard of. Epic adventures and battles ensue, and along the way, we learn a deep, dark secret...or three. Will the Puppies turn tail and run? Will the Ninja Kittens — ooh, string. Can the Earth be saved from certain construction? Will it all end in discord or harmony?
The Space Pirate Puppy Musical! is written and directed by Heather Bagnall and Luke Tudball with original music by award-winning composer and lyricist Steve Schalchlin.
While many children's theater troupes tell stories to kids, The Story Pirates believe that every kid has a story to tell. Made up of professional actors, improv comedians, and teaching artists, this troupe uses stories written by elementary school students as source material for over-the-top, sidesplitting musical plays. With songs, props, music videos, and puppets, the Story Pirates bring to life onstage what children have put down on paper (and computer).
At a typical show, there is no typical. Topics range from kung fu ninja babies fighting crime to the eternal love between the devil and a guy she meets at Starbucks. It's a world where cats can fly and Tickle Monsters have been known to take over the world. If the show sells out, the audience is treated to ice cream and cookies at the end!
This one-woman show presents the story of Harriet Tubman reimagined as a young woman growing up in Harlem through a theatrical lens. Harriet Tubman is a heroine and American legend in her own right. This multidisciplinary performance takes the story of Harriet in the 19th century and places her in the 21st century, laced with the problems facing African-American youth all over the country. What would happen if a young woman like Harriet became a leader in this new world? Would her struggle be the same? Would she know her power?