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George & Martha
Tickets and Information


SHOW INFORMATION

This show has not yet been rated.

CURRENTLY CLOSED
Opened Sep 17, 2004
Closed Oct 30, 2004
Running Time:
1hr. 15min.

Visit the George & Martha website:
http://www.weird.org

TICKETS TO THIS SHOW CHECK FOR DISCOUNTS

WHAT IS IT ABOUT?

Karen Finley, the most controversial woman in performance today, officially inaugurates the new Collective: Unconscious theater complex in Tribeca with, George & Martha. This broad two-character political satire combines the real-life antics of George Dubya and Martha Stewart with Albee's Who's Afraid of Virginia Woolf? duo (and a touch of George and Martha Washington). This co-production between Collective: Unconscious and P.S. 122 stars Finley as Martha and newcomer Neil Medlin (the self-described "Paris Hilton of Performance Art") as George.

George & Martha is set during a secret rendezvous in a hotel room in New York City during the Republican Convention. Here, they air their embittered legal and political woes into the intimacy of their private relationship. The tragedies and personal triumphs of these self-created icons become intertwined. Their internal struggles become a nightmarish battleground. Bin Laden hides in Bush's bowels. Martha creates invisible nose hair scissors. Bush relapses into a coke binge and Martha flies into a rage over having to drink from a plastic glass. Their pathos and suffering become connected in their symbiotic need to be loved.

THEATER/VENUE INFORMATION:



Collective: Unconscious
279 Church St
New York, NY 10013


WHAT ARE CRITICS SAYING?

Right-wingers don't seem to follow avant-garde theater like they used to. There once was a time when enterprising performers knew that if they creatively employed yams or crosses, a cabal of culture warriors -- Buchanan, Helms, Robertson, and company -- would get wind of their exploits and declare jihad from afar. It was a surefire method of gaining publicity and stoking progressive action. Now, the right has all but succeeded in de-toothing the NEA and marginalizing envelope-pushing artists; it's gotten to the point where a team of provocateurs can trot around a stage completely in the buff, skewering a sitting President, without prompting national hand-wringing over our decaying moral v[...]


Reviewed by Adam Klasfeld on Sep 21, 2004

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