DR.C (or How I Learned to Act in Eight Steps)
Tickets and Information
SHOW INFORMATION
Opened Jun 2, 2009
Closed Jun 14, 2009
WHAT IS IT ABOUT?
Imagine you awake one morning and don't know who you are. You feel fine, and all the material trappings of your life surround you--but you have no memories. Your task becomes to construct a life using the evidence that you can find. Such is the work of the actor...and of the ensemble in the New York premiere of Theater Mitu's Dr. C (Or How I Learned to Act in 8 Steps). Part video game, part torture chamber, part documentary, this opera in eight parts juxtaposes the physicality of the 1919 silent film The Cabinet of Dr. Caligari against a live score, state-of the art technology, and a new text created from the words of eight of history's leading acting theorists to ask, "what is acting…and why do we care?" It is an unintentional homage to the people and ideas that, for better or for worse, have irrevocably shaped the way we view the art of acting.
WHAT ARE CRITICS SAYING?
What are other members saying?
RE:Brilliant
I saw DR.C during its previews and was truly impressed. The show is absolutely fascinating even though its really hard to describe. The construct of the show is simple, the audience watches the actors like mice in an "experiment" looking to answer the tough question "What is acting?". All of the choreography is based on an early silent film which adds to the strangeness of the whole thing. The music is beautiful and well sung with a great live band id *almost* call it an opera, and the performers are all incredible in their athleticism. A bizarre, beautiful and successful experiment in form I expect well see more things like this in the future, learned a whole lot too :
Reviewed by Rosencrantz8
on Wednesday, Jun 3rd, 2009
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Directions & Map
A few years back David Greenspan took Aristotle's text for The Argument and turned it into a riveting solo performance theater piece. So one might hope for similar success from
Dr. C (Or How I Learned to Act in 8 Steps), now at 3LD, an opera assembled from the texts of not only Aristotle, but other stage theoreticians. Unfortunately, the piece proves overly pretentious from the onset and becomes increasingly wearisome as it distills the ideas of some of great theatre practitioners in music and movement.
Conceived and directed by Rueben Polendo, Dr. C begins with eight performers being awakened by a robotic voice (Jenni-Lynn Brick) within the confines of a high-tech sleep chamber. (The show[...]