This is one of Wildeâs most epigrammatic and entertaining works, reflective of the difficulties he was encountering in his own life at the time of its creation in the 1890s and scathing in its indictment of Victorian hypocrisy. And this production â from the sets to the costumes, from the direction to the casting, and especially the performances â more than does it justice. The playâs principal actors â Aaron Gaines as Sir Robert Chilton, Whitney Kaufman as Lady Gertrude Chilton, Amanda Jones as Mrs. Cheveley, and Stuart Williams as Viscount Arthur Goring â are all perfectly cast and play their roles brilliantly. But some of the other supporting actors deserve mention as well: In particular, I would credit Peter Judd for his performance as Arthurâs father, the stuffy, hidebound Earl of Caversham; Jade Anderson for her portrayal of Mabel Chilton, Sir Robertâs more traditional sister who comes across as an amusing counterpoint to Robertâs more liberated wife, Gertrude; Emily Jon Mitchell, Rachel Niehiesel and Clemmie Evans for their wonderful Victorian caricatures of Lady Markby, Mrs. Marchmont and the Countess of Basildon, respectively; and Craig Mungavin in his perfunctory no nonsense role as Phipps, the minimalist butler. I have posted an expanded review of this and other Broadway, off Broadway, and off off Broadway plays on my blog www.aseatontheaisle.blogspot.com.
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