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2011 Marathon of One-Act Plays
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SHOW INFORMATION

This show has not yet been rated.

CURRENTLY CLOSED
Opened May 20, 2011
Closed Jun 25, 2011

Visit the 2011 Marathon of One-Act Plays website:
http://www.ensemblestudiotheatre.org

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WHAT IS IT ABOUT?

After 33 years, The Ensemble Studio Theatre's annual Marathon of One-Act Plays is the longest running, most acclaimed one-act play festival in the country. The theatre's artistic director William Carden has selected ten plays to be presented on two separate programs for The Ensemble Studio Theatre's 2011 Marathon of One-Act Plays.

Click here for a complete list of plays.

THEATER/VENUE INFORMATION:



Ensemble Studio Theatre
549 W 52nd St
New York, NY 10019


WHAT ARE CRITICS SAYING?


Cassandra Medley's hard-hitting Cell is the strongest entry within Series B of Ensemble Studio Theater's Marathon of One-Act Plays. Director Jamie Richards pitches the tension levels just right, and the three-person cast all deliver superb performances.

The play revolves around Rene (Lizan Mitchell), her sister Cerise (MaConnia Chesser), and Cerise's daughter Gwen (Shyko Amos), who all work at the Thurston Corporation Immigration Detention Center. The excitement and camaraderie evidenced in the first scene soon gives way to rifts in the family dynamic, particularly as Gwen begins to feel more empathy for the detainees. The piece provocatively addresses issues of race, class, and immigratio[...]


Reviewed by Dan Bacalzo on Jun 10, 2011


The Ensemble Studio Theatre's Marathon 2011 is aptly named. Series A of this program of one-act plays clocks in at just under three-and-a-half hours, including two intermissions. It also contains long stretches of flat writing and performances, with occasional flashes of excitement and a dynamic finish that makes the whole thing seem worthwhile.

Things get off to a slow start with Ben Rosenthal's Ten High, about a pair of thugs (Danny Mastrogiorgio and Ned Eisenberg) and a married couple (Chris Ceraso, Tina Benko), all in the same restaurant. The piece touches upon issues of infidelity, fate, chance, and redemption, but much of the writing feels forced and the sketch goes on too long for i[...]


Reviewed by Dan Bacalzo on May 24, 2011

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