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(w)HOLE
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SHOW INFORMATION

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CURRENTLY CLOSED
Opened Jan 12, 2006
Closed Feb 19, 2006
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WHAT IS IT ABOUT?

Sarah East Johnson's Obie and Bessie Award winning all-woman LAVA premieres its latest Off-Broadway spectacle.

(w)HOLE is a unique theatrical spectacle using feats of intense skill and physical strength to explore geologic phenomena such as rock and volcano formation, punctuated equilibrium theory, and magnetic polarity reversal. Phenomenal acrobatic "tricks" will astound as they illustrate the interconnection between natural geologic phenomena and bodies in motion. Narrative elements using video and text are also included in the work.

(w)HOLE is an evocatively female acronym for (w)Hole History Of Life on Earth. Johnson stages this panoramic, boundary-defying work in the round, giving each individual audience member a unique point of view. Carefully looped music, video, and lighting will operate on their own random, independent cycles, mimicking the spiraling patterns of the forces that shaped our own evolutionary history and creating a uniquely varied performance each evening.

This theatrical work of extreme rigor and surprising chance is animated by the six artists who are LAVA: Natalie Agee, Diana Y. Greiner, Molly Chanoff, Sarah East Johnson, Eugenia Chiappe, Rebecca Stronger. It is conceived and directed by Sarah East Johnson with lighting by Chloe Brown, visual design by Nancy Brooks Brody, video projections by Heather Delaney, costumes by Liz Prince, music by Steve Hamilton and spoken words by Sini Anderson and Capital B.

THEATER/VENUE INFORMATION:



The Flea Theater
41 White St
New York, NY 10013

The Flea Theatre is home of the Bat Theater Company.

WHAT ARE CRITICS SAYING?

[w]HOLE, the latest dance theater piece from the women's troupe Lava, is actually an acronym for the "Whole History of Life on Earth" -- but the show is not as serious as that may sound. In fact, it's unusually casual and cozy. Audiences have to remove their shoes before entering the theater, where the seats are arranged in the round. It's impossible to watch the show without making eye contact with the performers and other theatergoers; the audience is enlisted to participate in the action, and everyone is asked to change seats to view the proceedings from a different perspective. For a show about such a grand and lofty theme, it's refreshingly entertaining and unpretentious.

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Reviewed by Adam Klasfeld on Jan 13, 2006

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