Vienna: Lusthaus (revisited)
Tickets and Information
SHOW INFORMATION
CURRENTLY CLOSED
Opened May 8, 2002
Closed Jul 21, 2002
Opened May 8, 2002
Closed Jul 21, 2002
Visit the Vienna: Lusthaus (revisited) website:
http://www.nytw.org
TICKETS TO THIS SHOW
BUY TICKETS
CHECK FOR DISCOUNTS
WHAT IS IT ABOUT?
Conceived and directed by Martha Clarke, Vienna: Lusthaus (revisited) explores the unconscious world of Vienna at the beginning of the 20th century, a time and place where Freud and fascism meet. Through music and dance, fragments of text, and images suggested by the paintings of Egon Schiele and Gustav Klimt, the show presents the world from which the art, political ideals, and bloodshed of the 20th century were born. Music is by Richard Peaslee, with text by Charles L. Mee.
WHAT ARE CRITICS SAYING?
What are other members saying?
No user reviews have been posted yet.
Write a review
By providing information about entertainment and cultural events on this site, TheaterMania.com shall not be deemed to endorse,
recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
©1999-2012 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy
recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
©1999-2012 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy
Directions & Map
Martha Clarke's Vienna: Lusthaus (revisited), with a text by Charles L. Mee, is about dreams. To be more precise, this dance-theater work, which unfolds behind a veil-like white screen, appears to be about a series of linked dreams. So maybe it's no surprise that the quietly gorgeous piece has an indisputably oneiric feel. Like dreams, Clarke's profound creation is fragmented, illogical, intriguing, resonant with sexual undercurrents, cagey about revealing exact meanings. Also like dreams, it is repetitive; much of the material seems to be recurring, if in slightly varied vignettes.
As a matter of fact, the production itself is recurring: It was first presented by the same collaborat[...]