The Last Sunday in June
Tickets and Information
SHOW INFORMATION
CURRENTLY CLOSED
Opened Apr 9, 2003
Closed Jul 6, 2003
Opened Apr 9, 2003
Closed Jul 6, 2003
Running Time:
1hr. 35min.
1hr. 35min.
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WHAT IS IT ABOUT?
Jonathan Tolins' The Last Sunday in June is set in the Christopher Street apartment of a young gay couple during the annual New York City Gay Pride Parade. Intending to spend the afternoon alone planning their upcoming move to the "burbs", Michael and Tom's day is interrupted by one friend after another dropping in, sparking a chain of events that rocks the foundation of their relationship. Trip Cullman directs.
THEATER/VENUE INFORMATION:
Century Center for the Performing Arts
111 E 15th St
New York, NY 10003
This theater is housed in an historic building designed by Henry Hobson Richardson. It was the original home of the Century Club, which was a home for actors, writers and artists. In 1997, it became the Century Center for the Performing Arts. It e [...] Read More
111 E 15th St
New York, NY 10003
This theater is housed in an historic building designed by Henry Hobson Richardson. It was the original home of the Century Club, which was a home for actors, writers and artists. In 1997, it became the Century Center for the Performing Arts. It e [...] Read More
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recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
©1999-2012 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy
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Pundits often note that human existence, having been depicted countless times in books, films and plays, can feel more like art than life -- more staged than real. The overlap between one's participation in any situation and one's awareness of it has become known as "meta" and is the subject of the Oscar nominated film Adaptation, not to mention countless other works through the centuries.
Jonathan Tolins, whose Twilight of the Golds (1993) remains the most incisive play yet written about our genetically engineered future, has found that gay life is now so frequently depicted on stage and in film that to write a "gay play" without self-awareness barging into the proceedings is virtually i[...]