Shylock
Tickets and Information
SHOW INFORMATION
CURRENTLY CLOSED
Opened Jan 30, 2005
Closed Mar 27, 2005
Opened Jan 30, 2005
Closed Mar 27, 2005
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WHAT IS IT ABOUT?
Final Two Weeks!
The doors to the beautiful Perry Street Theatre will re-open after nine year as Martin Platt, David Elliott and Rosalie Beer in association with Robert Friedman Presents present the acclaimed production of Shylock, written by and starring Gareth Armstrong, directed by Frank Barrie with original music by Simon Slater.
From the view point of Tubal, Shylock's best and only friend in The Merchant of Venice, Armstrong's Shylock reflects the love and understanding of Shakespeare's genius by skillfully weaving excerpts of the play with the perpetual legacy of anti-Semitism.
Group Sales (212) 367-7107.
THEATER/VENUE INFORMATION:
Perry Street Theatre
31 Perry St
New York, NY 10014
Perry Street Theatre originally opened in 1982 with the production of Penelope and remained a staple of downtown theater for over a decade. In 1987 it became home to New York Theatre Workshop until 1992, when they moved to their East 4th Street home [...] Read More
31 Perry St
New York, NY 10014
Perry Street Theatre originally opened in 1982 with the production of Penelope and remained a staple of downtown theater for over a decade. In 1987 it became home to New York Theatre Workshop until 1992, when they moved to their East 4th Street home [...] Read More
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recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
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My girlfriend and I have a running debate about The Merchant of Venice. I think it's anti-Semitic; she doesn't. I see Shylock as a Shakespearean villain; she views him as a tragic hero. I was thrilled by a New York Observer article that ranted about misguided attempts to sanitize the play; she hated the article so much that she hasn't picked up the paper since. As you might imagine, we prepared ourselves for an argument when we went to see Gareth Armstrong's Off-Broadway show Shylock -- but, surprisingly, we left the theater in agreement. The British writer-performer handles the controversial character and subject masterfully.
Armstrong's ambivalence on the issue of anti-Semitism in Th[...]