Ruined
Tickets and Information
SHOW INFORMATION
Opened Feb 10, 2009
Closed Sep 6, 2009
WHAT IS IT ABOUT?
Winner of the Pulitzer Prize for Drama!
From Lynn Nottage, the Obie Award-winning author of such plays as Fabulation and Intimate Apparel, comes this haunting, probing work about the resilience of the human spirit during times of war.
Set in a small mining town in Democratic Republic of Congo, this powerful play follows Mama Nadi, a shrewd businesswoman in a land torn apart by civil war. But is she protecting or profiting by the women she shelters? How far will she go to survive? Can a price be placed on a human life? Directing is Kate Whoriskey, who staged Ms. Nottage's Fabulation at Playwrights Horizons. Ruined is a co-production with the Goodman Theatre.
THEATER/VENUE INFORMATION:
131 W 55th St
New York, NY 10019
This mainstage at MTC is a 299-seat house with a proscenium stage. Originally a prolific showcase theater, this space has become one of the country's most productive and prestigious theaters. The overall quality of the productions cannot be matched [...] Read More
WHAT ARE CRITICS SAYING?
What are other members saying?
See Ruined.
Excellent cast and story!! The set is awesome. The play will make you laugh, cry, and think. Lynn Nottage did well in bringing the story of these women to the stage. It made me more aware of some of the injustices that women face on a global level.
Go see it for yourself!! It needs to go to Broadway next.
Reviewed by Tenieka
on Wednesday, May 13th, 2009
The Play of the Year: RUINED
This weekend I went, somewhat begrudgingly, to see _Ruined_ at The Manhattan Theatre Club. I knew nothing about the play except that it had just won the Pulitzer Prize for Lynn Nottage. That was enough to get me in the door. Once in the theatre at City Center I saw the gigantic wall poster of the plays synopsis. Out of the corner of my eye I spotted those key cringe inducing Eve Ensler nouns and shuddered. I felt lightheaded at the very thought of two and a half hours of "women as victims" narrative. Well, in for a penny in for a pound as they say. I had my ticket and a pocketful of gourmet jelly beans, so into the theatre with me. My equilibrium began to return the moment I stepped inside. The stage is enormous and the house is small; and excellent combination. The stage was set dramatically and expansively, every inch was performance space. I took my comfortable sixth row seat and spun my head like an owl. The house was filled with actual theatergoers. The interracial crowd was tourist-free; another good sign, nary an M&Ms shopping bag in sight. Sitting in the row directly in front of me was Philip Seymour Hoffman or Phil as his friends call him and Laila Robbins not together; another very good sign. A few rows ahead of me, Lynn Whitfield sat down. Things were looking up. The last time I had been at a performance with such a healthy percentage of actor to commoner ration was _August Osage County_.
Never underestimate the veracity of good omens. This play is enormous. Yes, it is a play set in a war torn far off locale, and yes there are unspeakable horrors brought upon women, men and children. But there is nothing treacly or sentimental or preachy about _Ruined_. It is a beautiful story about the human spirit, that brought me to tears twice not out of pity for the characters, but out of admiration for their strength. There are wonderful moments of laughter, and there is music, gorgeous, poetic music. The play is set in a taverna/brothel, and the music is live and an integral part of the play. Kate Whoriskey directs this play at a perfect pace. There is never one moment of downtime or distraction, I was riveted to every moment and motion on stage The play is mostly led by female characters who were beautifully developed. The male lead; Russel G. Jones, broke my heart. He is Herbie to Saidah Arrika Ekulonas aptly named Mama. It does not belittle _Ruined_ to draw this Gypsy comparison. Both Mamas live off the "talents" of their girls and both have a traveling salesman wooing them. Mr Jones Christian, like Herbie, is driven by decency, and in _Ruined_ this male character trait is most spectacular. Ms. Ekulona is a dynamic actress and finds every nuance of Mama, I could not get enough of her. Condola Rashad yes, Mrs. Huxtables daughter was a delightful surprise. She does a very fine job in the difficult and demanding role of Sophie. It is when she sings that she really comes to life. A capable singer, she is heartbreaking singing the songs of Lynn Nottage. Enough can not said about the play itself. My only concern about it is that now that it has won the Pulitzer, community theatres across America will tackle it. Human Rights organization will build fundraisers around it. But without the gorgeous direction of Ms. Whoriskey, the play could be cheapened. Produced on the expansive stage of the MTC and staged in such a realistic manner, there is a degree of intimacy that is a key component to the experience. This play should not be "watched" it should be experienced. In the wrong hands it quite possibly could deteriorate into a Congo Monologue. Please see it now while it is as it should be. The play and the performances will stay with you and youll feel better for having seen it.
Reviewed by Brenda_1054748
on Monday, May 11th, 2009
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Lynn Nottage's emotionally devastating and spellbinding new play Ruined, now at Manhattan Theatre Club's Stage I, in a co-production with Chicago's Goodman Theatre, is the rare work that succeeds spectacularly both as potent political statement and as riveting drama that should not be missed by any serious theatergoer.
Ruined is set in the present-day Congo, where sexual violence against the local women has become the preferred weapon of civil warfare. Through superbly drawn female characters, Nottage gives voice to the victims of these wartime atrocities by honoring not only their suffering but also their strength. In the play's beautifully modulated scenes -- which include some musical pe[...]