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How Theater Failed America
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SHOW INFORMATION

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CURRENTLY CLOSED
Opened May 16, 2008
Closed Jun 22, 2008
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WHAT IS IT ABOUT?

Mike Daisey's solo performance piece, How Theater Failed America, transfers directly from a sold-out, critically-acclaimed run at Joe's Pub (concluding May 11) to Off-Broadway's Barrow Street Theatre. Jean-Michele Gregory directs.

Daisey's monologue is about theater, failure, passion, and hope. From gorgeous new theaters standing empty as cathedrals, to "successful" working actors traveling like migrant farmhands, to an arts culture unwilling to speak or listen to
its own nation, Daisey takes stock of the dystopian state of theater in America: a shrinking world with smaller audiences every year. Fearlessly implicating himself and the system he works within, Daisey seeks answers to essential and dangerous questions about the art we're making, the legacy we leave the future, and who it is we believe we're speaking to.

Each Sunday, a roundtable forum with theater artists and administrators will
follow the performance. Slated guest include: Eric Bogosian, Robert Brustein, James Bundy, Jim Nicola, Richard Nelson, Lisa Kron, Maria Dizzia, Gideon Lester, Maria Goyanes, Paige Evans, and others in direct conversation with working actors, technicians, designers and independent producers of the American theater.

THEATER/VENUE INFORMATION:



Barrow Street Theatre
27 Barrow St
New York, NY 10014


WHAT ARE CRITICS SAYING?


Mike Daisey admits that How Theater Failed America, his new solo performance which has moved from Joe's Pub to a limited engagement at the Barrow Street Theater, has a terrible title. In fact, he spends the first few minutes of the show hilariously deconstructing it, speculating on what an audience might hope for or expect. This proves to be the perfect set-up for the monologist's engaging, witty, and impassioned critique of what's wrong with the way theater is currently being done -- and who is responsible.

Daisey mixes tales from his days of just starting out in the business with more recent anecdotes about his experiences, meetings, and friendships with artistic directors, literary mana[...]


Reviewed by Dan Bacalzo on May 19, 2008

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