666.000000
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SHOW INFORMATION
CURRENTLY CLOSED
Opened Apr 15, 2010
Closed May 30, 2010
Opened Apr 15, 2010
Closed May 30, 2010
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Visit the 666.000000 website:
http://www.666comedy.com
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WHAT IS IT ABOUT?
666 begins when three dangerous criminals and one misplaced innocent arrive on death row. Incarceration ironically sets free their wildest fantasies as, trapped between the iron gates and an electrified fence, they interact with each other and with the audience. At the end of all the comically bungled executions, all hell, quite literally, breaks out. No one is safe, least of all the audience! 666 is a rude and ribald collision between wordless Commedia dell'arte, physical theater, and slapstick.
WHAT ARE CRITICS SAYING?
What are other members saying?
*OMG* HYSTERICAL!!!
666 was absolutely brilliant fun! I laughed THE ENTIRE 90 mins! The cast was so beyond funny, and so personable upon exiting the show. I am a fan of politically incorrect or otherwise inappropriate humor so this was definitely right up my alley. Its up there as one of the best shows I have seen. LOL. I am still laughing just thinking about it! Kudos to Yllana and thanks for bringing your amazingly fun show to NYC!!!
Reviewed by msellitti
on Thursday, Apr 15th, 2010
RE:Brilliant!
Great fun! valuable to see!
Reviewed by circlegreen
on Saturday, Apr 3rd, 2010
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recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
©1999-2012 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy
There's no limit to the puerile and sophomoric depths to which the performers in the Spanish import 666, now playing at the Minetta Lane Theatre, are willing to sink as they strive to create hilarity. They rarely succeed, though; there are perhaps 10 truly amusing minutes in this seemingly interminable 70-minute show by the group Yllana.
666 is set within the confines of a maximum security prison where four guys (Juan Ramos Toro, Raul Cano, Fidel Fernandez and Joseph Michael O'Curneen) seem to be awaiting execution. And while the mostly non-verbal proceedings, directed by David Ottone, cause theatergoers to cringe in their seats, the action is filled with an indefatigable energy and commit[...]