A Man of No Importance
By David Finkle · Oct 11, 2002
Roger Rees and Steven Pasqualein A Man of No Importance(Photo: Paul Kolnik) So many blockbuster musicals have been based on what were once considered unlikely ...
The Exonerated
By David Finkle · Oct 11, 2002
Richard Dreyfuss in The Exonerated(Photo: Carol Rosegg) The Exonerated, which was compiled and shaped by Jessica Blank and Erik Jensen, tries the ...
The Charity That Began at Home
By David Finkle · Oct 10, 2002
Harmony Schuttler and Karl Kenzlerin The Charity That Began at Home(Photo: Richard Termine) In 2002, the name St. John Hankin may mean little or nothing to ...
Antony and Cleopatra
By Marc Miller · Oct 9, 2002
Maureen Porter and DeeAnn Wir in Antony and Cleopatra (Photo: Bob Pileggi) Bombay Dreams won't be hitting these shores for at l
Rum and Vodka
By Philip Hopkins · Oct 7, 2002
Mark Alhadeff in Rum and Vodka(Photo: Gary Breckheimer) Few of us have not wanted to throw our computer terminal out the office window at some point in our ...
By David Finkle · Oct 5, 2002
Fiona Shaw as Medea (Photo: Neil Libbert) Fiona Shaw's Medea enters Tom Pye's Frank Gehry-like cinder block and Plexiglass evocation of ancie
By Barbara and Scott Siegel · Oct 4, 2002
Armando Riesco, Keira Naughton, Josh Hamilton,Ione Skye, and Peter Dinklage in Evolution (Photo: J. Merrill) Plays about Hollywood hav
My Old Lady
By David Finkle · Oct 4, 2002
Jan Maxwell and Peter Friedman in My Old Lady (Photo: Craig Schwartz) The works of Israel Horovitz can't easily be categorized, so it's odd to say that his
The World Over
By Dan Bacalzo · Oct 4, 2002
Kevin Isola is Gryphon in The World Over(Photo: Joan Marcus) Perched on a catwalk, muscles bulging, the Gryphon of Dvolnek spreads its ...
The Butter and Egg Man
By David Finkle · Oct 3, 2002
Egg men David Turner and Tom Mardirosian(Photo: Carol Rosegg) For playwrights like Harold Pinter, on-stage pauses are vital; for ...