Take Me Out
By David Finkle · Feb 28, 2003
Daniel Sunjata and Neal Huff(background) in Take Me Out(Photo: Joan Marcus) Tracking Take Me Out -- Richard Greenberg's discussion of baseball as ...
By David Finkle · Feb 28, 2003
The company of Showtune: Tom Korbee, Russell Arden Koplin,Martin Vidnovic, Karen Murphy, Paul Harman, and Sandy Binion(Photo: Carol Rosegg) ...
By Philip Hopkins · Feb 26, 2003
Brian Murray in Scattergood (Photo: Dixie Sheridan) Looking at gender relations from a pre-women's-movement, male viewpoint might be a
The Beauty Queen of Leenane
By Ben Winters · Feb 25, 2003
Dolores Kenan, Janet Dunson, and David Kellerin The Beauty Queen of Leenane Mag Folan and her daughter Maureen live a stifling and ...
Observe the Sons of Ulster Marching Towards the Somme
By David Finkle · Feb 24, 2003
Christopher Fitzgerald (standing) andJeremy Shamos in Observe the Sonsof Ulster Marching Towards the Somme (Photo: Carol Rosegg) Silence in the theater can in
One Million Butterflies
By Philip Hopkins · Feb 24, 2003
Matthew Mabe in One Million Butterflies (Photo: Narelle Sissons) If David Mamet is interested in American men, then Stephen Belber is
Worm Day
By Philip Hopkins · Feb 24, 2003
Penelope Gioris and Kelly AuCoin in Worm Day (Photo: Carol Rosegg) One wonders what a play entitled Worm Day might be about. One fears it might be a r
Dublin Carol
By Philip Hopkins · Feb 20, 2003
Jim Norton in Dublin Carol(Photo: Carol Rosegg) Conor McPherson writes more eloquently about the loneliness of the individual than any playwright today. His ...
High Priest of California
By David Finkle · Feb 20, 2003
David Mogentale and Carol Sirugoin High Priest of California(Photo © Fouad Salloum) The decision makers at the 29th Street Rep have often looked for eleme
It's All True
By Caroline Burlingham Ellis · Feb 19, 2003
Robert Saoud, Geoffrey P. Burns, and Christopher Chewin It’s All True(Photo: Sheila Ferrini) It's All True is a riveting