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From the author of War Horse comes a full arsenal of live music, dance and visual hi jinx! Kneehigh and Emma Rice, the new Artistic Director of Shakespeare's Globe, return to St. Ann's with 946: The Amazing Story of Adolphus Tips adapted from the novella by Michael Morpurgo. This true tale of local townsfolk and the African American soldiers sent to rehearse the Normandy invasion from their shores explodes everything we thought we knew about the D-Day landings. Seen through the lens of a little girl and her lost cat, 946 takes its title from the number of casualties sustained during these bungled maneuvers, a secret kept, until now, by the American and British governments.
Mike Leigh's Abigail's Party will kick off our season and we're really excited about it! This brilliantly observed comedy makes a perfect match for TBG's spontaneous approach. The play captures epic denial in London suburbia and even though penned in 1977, Leigh points out, "It still hits a nerve about the way we live."
Called "hilarious" (Broadway World) and "engaging" (TheaterMania), The Accidental Pervert is a laugh-out-loud play that tells the awkwardly poignant story of a boy's journey into manhood after discovering his dad's video tapes hidden in a bedroom closet. Andrew subsequently develops an addiction that continues until the age of 26, when he meets his wife to be, and finds himself struggling to find the balance between fantasy and reality.
"The Accidental Pervert Will Arouse Your Socks Off!" - Village Voice
Let acclaimed performer and comedian Andrew Goffman take you on a whirlwind tour of his funny romance with magazines, video, and off-color fantasies while you roll in the aisles. However, it's not all laughs in this layered show, which ends on a touching moment of redemption as he struggles to find true love and perspective through real-life relationships.
• The Accidental Pervert has eclipsed 1000 performances in the legendary Greenwich Village area of New York!
• Award winning run in Buenos Aires, Argentina!
• Winner 2013 BEST COMEDY Award in Panama City, Panama!
• Opening in Zurich, Switzerland and the Island of Malta 2014! 2015 premiers in Kristiansand and Oslo, Norway!
So come have some good dirty fun with The Accidental Pervert! Oh, and leave the little ones home. The show has mature themes and is meant for audience members over 16.
This one act play centers on two characters from Chekhov (Sonya Serebriakova from Uncle Vanya and Andrey Prozorov from Three Sisters) meeting in a café in Moscow in the 1920s. Joe Dowling, former artistic director of The Guthrie Theater, directs.
Emerald and Ty are twin orphaned teenagers who live in the backwoods of the Florida Everglades and wrestle 'gators in a roadside attraction. Careening through encounters in their small tourist town, they meet self-destructive young locals looking for a future and desperate young wanderers looking for a home; all carry secrets under ever-present layers of desire. Alternately realistic and surreal, scored with gritty rock music, Alligator is a muscular, satisfying play about learning to tame our darkest impulses.
Pulitzer Prize-winner Annie Baker, who The New York Times has called "one of the freshest and most talented dramatists to emerge Off Broadway in the past decade," returns for the second production of her Signature residency with a world premiere play, directed by Lila Neugebauer. The Antipodes follows John, her insightful, funny and mysterious first play at Signature, which sold out an extended run and appeared on the Top 10 lists of The New York Times, New York Magazine and Time Magazine, among others.
Shakespeare's sparkling comedy about love, family and identity is full of wit, music and gender-bending fun. The rightful duke and his supporters have been banished, while his impulsive daughter Rosalind remains at the mercy of the oppressive new regime. Comic twists and turns abound when Rosalind, disguised as a boy, flees the court to seek her father in the mysterious Forest of Arden. Her journey of self-discovery brings her face to face with Orlando, the man she loves.
A man shares a bowl of berries, and a young woman falls in love. A world away, a mother prepares a bowl of soup to keep her son from leaving home. And a son cooks a meal for his dying father to say everything that words can't. In Julia Cho's poignant and lyrical new play, the making of a perfect meal is an expression more precise than language, and the medium through which life gradually reveals itself.
It's 1967. A writer from bohemian Greenwich Village (to be played by Josh Radnor) commutes to Levittown to teach a creative writing class. His students discover the power of storytelling to alter their lives, and one special student (Elizabeth Reaser) – a kindred spirit? something more? – reawakens his own artistic impulses.
It's the end of World War II, and Holland is in chaos. The artist Van Meegeren is arrested. His crime? Selling a long-lost painting by the Dutch Master Johannes Vermeer to the Nazi Leader, Hermann Goering. His defense? It was a perfect forgery painted by him. His proof? In front of his prosecutor Geert Piller, art historian and resistance fighter, he must paint another flawless Vermeer to save his life. The Bakelite Masterpiece is a play that debates beauty, faith, memory and the reconstruction of a country.
An Egyptian Police Band arrives in Israel to play a concert. After a mix-up at the border, they are sent to a remote village in the middle of the desert. With no bus until morning and no hotel in sight, these unlikely travelers are taken in by the locals. Under the spell of the desert sky, their lives become intertwined in the most unexpected ways. A new musical based on the critically acclaimed screenplay which received 36 major international awards.
After playing to sell-out crowds in Dublin, Edinburgh and London, the cult hit show Bears in Space arrives in New York City with its acclaimed original cast. Two cosmonaut bears on a spaceship hurtle toward the impossibly distant limits of the universe while chased by villainous beings. An ethereal adventure that considers the perils and wonders of a journey across space and time to nowhere.
Critically acclaimed Irish writer Conor McPherson adapts Daphne du Maurier's sensual and intriguing story, which was also the basis for Alfred Hitchcock's masterpiece of the same title. In an isolated house, strangers Nat and Diane take shelter from relentless masses of mad attacking birds. They find temporary sanctuary but not comfort or peace; there's no electricity, little food, and a nearby neighbor may still be alive and watching them. When another refugee arrives with news of the outside world, paranoia takes hold of this makeshift fortress. An unsettling look at human relationships in the face of societal collapse.
Black Angels Over Tuskegee is the story of the Tuskegee Airmen told in narrative of six men embarking upon a journey to become pilots in the United States Army Air Forces. The play explores their collective struggle with Jim Crow, their intelligence, patriotism, dreams of an inclusive fair society, and brotherhood. The play goes beyond the headlines of the popular stories of the Tuskegee Airmen and exposes the men who exhibited the courage to excel, in spite of all the overwhelming odds against them.
Winner 2009 Artistic Achievement Award "Best Play"
"Uplifting! Inspirational! This show is also tough to resist. By the end, when the pilots overcame their obstacles and finally got up into the air to the swelling of music, tears welled up in my eyes." - New York Times
After a fall off the bluff behind her house, 40-year-old pregnant Jude Black descends into a coma, confined to a hospital room. The identity of her child's father and the circumstances surrounding her pregnancy remain a mystery. Jude can hear everyone around her--and their secrets--but they cannot hear her. As the play unfolds, the families of her best friend and her nurse unexpectedly collide, forcing them to uncover the festering secrets that bind them all. Yet, even in this twilight state, she comes to grips with the failures and traumas of her life that led her to attempt suicide.
Written and performed by Drew Droege, Bright Colors and Bold Patterns is a riotous new solo play that storms the stage with ferocity and wit. This production at Barrow Street Theatre is directed by Michael Urie.
During our theater production you will step into the lives of the Thomas sisters as they learn more about themselves and each other. Watch as they unveil pieces of themselves…the pieces that they didn't want anyone to the see…the pieces of themselves that they were ashamed of and tried so desperately to hide. Bruised But Not Broken is about healing when you thought that you were too messed up, too damaged, too bruised to heal. It's about getting up after you have fallen. It's about God's ability to take what the enemy meant for evil and turn it into good. Remember, bitter becomes sweet when you put in the Master's hands.
When an escaped slave shows up at Fort Monroe demanding sanctuary, General Benajmin Butler is faced with an impossible moral dilemma - follow the letter of the law or make a game-changing move that could alter the course of US history?
Based on real-life events, Butler by Richard Strand premieres in New York following an acclaimed world premiere run in New Jersey.
In times of political unrest, must a man die for the greater good of the nation? The assassinations of Rome's great ruler of the Republic and the revolutionary leader Malcolm X share the stage when New York's acclaimed The Acting Company pairs Shakespeare's Julius Caesar with X, a compelling new play by lauded playwright Marcus Gardley (The House that Will Not Stand, The Gospel of Lovingkindness, Every Tongue Confess, On The Levee). Presented in repertory, each featuring the same outstanding cast, these two gripping dramas examine two charismatic leaders who rise only to fall victim to rivalry, resentment and retribution.
Magis Theatre Company brings Calderon's Two Dreams, a repertory performance of two classic works by Pedro Calderon de la Barca.
In 1921, Henry Ford, Thomas Edison and President Warren G. Harding took a camping trip together into the Maryland woods to escape civilization; what they couldn't escape was each other. Inspired by an actual event, Camping with Henry and Tom is an exploration of friendship, politics and leadership—a comedic and dramatic clash of two great minds and one great heart of the twentieth century.
CasablancaBox is an exploration into the accidental nature of great art through the lens of the classic film Casablanca. Stories of risk, sacrifice, brilliance and accidents are told by actors who jump in and out of time, character, gender, style, tone, aesthetic and, most importantly, Casablanca. With an intricately woven multi-narrative script and video score, CasablancaBox is an imagined "making of" and an immersion into the glamour, war, censorship, sexism, racism, addiction and refugee crisis of 1940s' Hollywood.
The Play Company presents the New York Premiere of Caught
I took in this fluidness around me and decided to create art that reflected it. I began imagining art that not only existed to disappear, but art that never existed in the tangible world at all. I know what you are thinking. But stop and think of the possibilities.
In this irreverent new genre-bending piece, theatre makers Christopher Chen and Lee Sunday Evans apply their playful imaginations to the work of a Chinese dissident artist. Their hybrid work invites you to navigate a labyrinthine trail between truth and perception, authority and authenticity, illusionary art and real jeopardy.
Set in Russia at the turn of the twentieth century, The Cherry Orchard chronicles a noblewoman's return to her family estate after a five-year absence to escape troubling memories of her son's death. Lyubov Ranevskaya arrives home to find the cherry orchard in full bloom, but the finances of the estate on the verge of ruin. Lyubov and her brother, Gaev, find themselves scrambling to retain a vision of gentility amidst a climate of huge social and economic transition.
A new work by celebrated experimental playwright Eric Ehn, directed by Glory Kadigan.
This dramatic portrait depicts the artistic relationship between two of the twentieth century's greatest artists. It captures an historic art-world moment as the iconic Pop artist Andy Warhol and the Neo-expressionist painter Jean-Michel Basquiat attempt to navigate the perilous terrain of art and fame while collaborating on a joint series of paintings for their New York City gallery exhibition.
The heartfelt and poignant two-character drama follows Marianne, a quirky quantum physicist, played by Kate Baldwin, and Roland, a beekeeper, played by Graham Rowat. Their first encounter is seemingly ordinary—crossing paths at a mutual friend's barbeque. Exploring the endless possibilities of their budding romance, the characters create their own multi-verse to see how their relationship would play out if they had chosen fate over chance.
The streets are full of protest. Economic inequality strains the social fabric. Debates rage throughout a nation riddled with dissension and distrust. It's election year in Rome, 493 B.C.E. As unscrupulous politicians manipulate public opinion, the hypocrisy and humiliation of political campaigns drive away the country's finest. But beneath this political drama looms the personal tragedy of one man's emotional blindness. This visceral new production will spark an electric dramatic dialogue between actors and audiences.
Cost of Living is the story of four very different people, in four very different circumstances, each trying to get by. Eddie, an unemployed truck driver, reunites with his ex-wife Ani after she suffers a devastating accident. John, a brilliant and witty doctoral student, hires over-worked Jess, a caregiver. As their lives intersect, Majok's play delves into the chasm between abundance and need and explores the space where bodies — abled and disabled — meet each other.
This summer, acclaimed theater director Aleksey Burago and The Russian Arts Theater and Studio continues its 2015-2016 season with Fyodor Dostoevsky's magnum opus Crime and Punishment. In the hot slums of St. Petersburg lives Raskolnikov, a former student struggling with debt and disillusionment. Believing himself to be a superior man, he soon executes a plan to kill and rob an old pawnbroker, arguing that her money can be used for good deeds, while ridding the world of a worthless parasite. As the growing voice of his conscience sets in, Raskolnikov soon finds the noose of his own guilt tightening around his neck. Join the Russian Arts Theater and Studio as it brings one of the greatest novels to life at the West End Theater and embark upon a journey into the mind of a killer and his search for redemption.
Winner of 5 Tony Awards, including Best Play!
Fifteen-year old Christopher has an extraordinary brain; he is exceptionally intelligent but ill-equipped to interpret everyday life. When he falls under suspicion for killing his neighbor's dog, he sets out to identify the true culprit, which leads to an earth-shattering discovery and a journey that will change his life forever.
Fifteen-year old Christopher has an extraordinary brain; he is exceptionally intelligent but ill-equipped to interpret everyday life. When he falls under suspicion for killing his neighbor's dog, he sets out to identify the true culprit, which leads to an earth-shattering discovery and a journey that will change his life forever.
A Day by the Sea is a warm, human and often humorous depiction of the "crisis" of middle age. Julian Anson, a once-promising Foreign Service employee, confronts professional disappointment and personal failure while picnicking along the English seaside. Jolted into the realization that maybe it's not too late—he seizes an opportunity to correct his past mistakes and start fresh—but will the results be any different?
At a rigorous all-boys preparatory school renowned for its ancient traditions, the unconventional Professor Keating inspires his students to defy conformity and to live passionately. Academy Award-winner Tom Schulman adapts his own screenplay for this much-anticipated production.
A pioneer for females in law enforcement, Mary Shanley joined the NYPD in 1931, quickly becoming a Gotham all-star and tabloid sensation. Making a staggering 1000 career arrests, she became the 4th woman in history to make detective 1st grade, and then nearly lost it all. Dead Shot Mary grapples with the legend of Mary Shanley, a trail blazer, a maverick, and a true New York original.
A woman tries to feed her husband a fried drumstick. Dragons roam a flat earth. The last Black man in the whole entire world dies again. And again. Careening through memory and language, Parks explores and explodes archetypes of Black America with piercing insight and raucous comedy. A riotous theatrical event, The Death of the Last Black Man in the Whole Entire World hums with the heartbeat of improvisational jazz.
For over 400 years, the Drunk Shakespeare Society has been meeting and drinking. And drinking, and doing Drunk Shakespeare. A self-proclaimed "drinking club with a Shakespeare problem," the membership invites audiences to join them for a meeting in their society lounge. The evening begins with one actor drinking more than a sophisticated amount of alcohol before attempting to lead the cast through a Shakespeare story in sixty minutes. The results are messy, outrageous, and the evening devolves into debauchery.
The theater is wheelchair accessible.
In the darkest hour of the night, surrender your heart to call the light.
Two halves of a soul hunt through a hall of records. A librarian breaks the seal of a mysterious archive. A teacher and her class prepare the pageant to end all pageants.
Duat conjures a spell of disintegration, transformation and three parts. A little bit vaudeville, a little bit rock and soul.
Hearts racing. Minds reeling. Knees buckling. Connie and Tristan have palpable chemistry—or is it a side effect of a new super-antidepressant? They are volunteers in a clinical trial, but their sudden and illicit romance forces the supervising doctors to face off over the ethical consequences of their work. From Lucy Prebble, "one of the UK's hottest new playwrights" (The Telegraph), The Effect takes on our pill-popping culture with humor and scintillating drama.
An alcoholic, an escort, a self-diagnosed neurotic and a well-intentioned simpleton walk into a bar... Broken and deeply flawed, they find their lives irreversibly entwined no matter how hard they try to break free of one another. The End of Longing is a bittersweet comedy that proves that broken people don't need to stay broken.
You have to wonder if Henrik Ibsen could have ever predicted his masterful play An Enemy of the People, would be more timely 132 years after its premiere. The play asks searing, fundamental questions—What happens when a democratic majority chooses unwisely? How can we best face the extraordinary challenges coming our way?
Experimental theater collective Istijmam from Algeria will present Et'Teffeh/The Apples by the Algerian director and playwright Abdelkader Alloula, who was assassinated in 1994. The play is performed by a trio led by the playwright's daughter, Rihab Alloula, and bears witness to Algeria's shadowed past and complex present. This production is part of a month long tour to the US with underwriting from Center Stage, an initiative of the U.S. Department of State.
Branden Jacobs-Jenkins, who The New York Times calls "one of this country's most original and illuminating writers," comes back to Signature for the second production of his residency with the world premiere of Everybody. Directed by Lila Neugebauer, this modern riff on one of the oldest plays in the English language promises to be just as unique as Gloria, An Octoroon and the award-winning Signature production of Appropriate.
We're thrilled to close out our season with Lisa Loomer's award-winning comedy Expecting Isabel. A Pulitzer finalist, Lisa has written a heart-warming story of a middle-aged woman who desperately seeks to have a child and runs into all sorts of formidable obstacles. Seth Barrish, director of Mike Birbiglia's Thank God for Jokes and Martin Moran's All the Rage will oversee the production.
Take a left at the Texaco on County Road 8, keep right when you pass the barn with the funny roof, and once you start to feel kinda lost, that's how you know you're almost there. It's the town of Cold Lake, bicentennial, and it's time to celebrate. From the ice fishing fleets to Local Artist Linda Klaver's Open Mic Night at Debbie's Bar/Bait Shop, this is their year and gosh darn if they're not gonna shine.
The press room of Chicago's Criminal Courts Building is buzzing with reporters covering the story of an escaped prisoner. When star reporter Hildy Johnson accidentally discovers the runaway convict, he and his editor Walter Burns conspire to hide the man from the other reporters, while they chase the biggest scoop of their careers.
In the New Mexico desert, a down-on-her-luck folk singer (Deirdre O'Connell) takes a job at a giant online retailer's shipping center. Her young manager struggles to connect with his girlfriend newly relocated from New York. And a drifter living at a local campground dangerously links them all. Raw, surprising, and funny, this world premiere from the fast-rising author of Kill Floor is about four lonely lives coming together in the search for fulfillment.
Tony-winning writer and director Richard Nelson returns to The Public this fall with the next play in his new three-play cycle, The Gabriels: Election Year in the Life of One Family. The second play, What Did You Expect?, brings us back to the kitchen of the Gabriel family, with the country now in the midst of the general election for president. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art and culture are chopped up and mixed together, while a meal is made around the kitchen table.
In the exquisitely moving finale of his three-play cycle, Tony-winning writer and director Richard Nelson brings us back into the Rhinebeck kitchen of the Gabriel family as they await the results of the Presidential Election on November 8, 2016. Women of a Certain Age takes place in the course of a single night, eight months after we first meet the Gabriels. Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.
Love and betrayal are no strangers to Divine, the cross-dressing gay prostitute at the heart of Jean Genet's 1943 novel, Our Lady of the Flowers. Her story of forsaken desire collides with the 21st century confessional video blog of a real-life porn star in Genet Porno, a psychosexual melodrama that exposes our contemporary culture of narcissism and the consequences of blurring our public and private lives in an epic emotional journey from light into darkness.
Tony winner Harvey Fierstein takes the stage this spring in a ravishing world premiere by one of the most influential playwrights of our time, Tony Award nominee Martin Sherman. Directed by Tony Award nominee Sean Mathias, Fierstein plays Beau, a pianist expat living in London, who meets Rufus, an eccentric young lawyer, at the dawn of the internet dating revolution. After a life spent recovering from the disappointment and hurt of loving men in a world that refused to allow it, Beau is determined to keep his expectations low with Rufus. But Rufus comes from a new generation of gay men who believe happiness is as much their right as anyone else's, and what Beau assumed would be just another fling grows into one of the most surprising and defining relationships of his life.
A remarkably moving, brilliantly funny love story that reflects the triumphs and heartbreaks of the entire length of the gay rights movement, celebrating and mourning the ghosts of the men and women who led the way for equality, marriage and the right to dream.
The Glass Menagerie is the play that brought a brilliant young writer named Tennessee Williams to national attention, and, in his own words, "changed my life irrevocably" when it first premiered on Broadway in 1945. More than seventy years later, Williams's most personal work for the stage continues to captivate and overwhelm audiences around the world.
The world premiere of Jeff Talbott's new play The Gravedigger's Lullaby.
Gregorian portrays one family's journey through the bloodiest century in human history as four generations discover the gravity of a name passed from father to son. Beginning with the Gregorian family's own tragic roots in the Armenian Genocide, through the rise of the Nazi Party, across the killing fields of Cambodia, and the continuing crisis in Africa, they do all they can to hold on to heritage, history, and hope.
H.O.M.E (Habitat of Meta-Humans Enterprise), a new play written by Angélica Rivera and Mar Z. Tran. H.O.M.E (Habitat of Meta-Humans Enterprise) opens at The Ohio Theater, Thursday August 18th at 8pm. Produced by The Unity Theater Company of New York City. Directed by Daniel Echevarria.
We follow the story of six young people in a re-imagined universe where teenagers develop super powers. Navigating their comfortable lives in the Habitat of Meta-Humans Enterprise (H.O.M.E), a facility created by the government to rehabilitate and incarcerate those people who have illegally used their super powers. However when Adam, an immortal arrives at the facility, they begin to rethink their place in society. As the group becomes acquainted with Adam, they begin to fully realize the potential of their abilities.
Will they use their abilities impact political corruption and the war, or will they use these powers to seek revenge against the society that oppressed them?
Michael is a neurotic actor and adoptee obsessed with two things—finding his real mother, and playing the famous gloomy Dane. His twin fixations collide when he tracks down Anna, a reclusive former actress-turned-barfly; gripped by the notion that she might be his actual birth-mother, he first stalks her from a distance, then lures her into a noirish production of Hamlet playing the role of his mother the queen. Hamlet In Bed is a twisty and darkly comic story about mothers and sons--about what it means to live a life in the theatre, both a generation ago, and now—and about families—the ones we're born into, and the ones we find along the way.
Academy Award winner Dianne Wiest (Hannah and Her Sisters, Bullets Over Broadway) plays Winnie in Samuel Beckett's masterpiece Happy Days. Buried up to her waist and sinking into the earth, Winnie is considered modern drama's pinnacle female role, an endlessly fascinating spirit of buoyant resourcefulness and unassuming grace in the face of inevitable oblivion. By turns hilarious and heartbreaking, compassionate and ferocious, this extraordinary Happy Days originated at Yale Repertory Theatre directed by James Bundy, artistic director.
In the basement of a small evangelical church in Southeastern Idaho, a group of young missionaries is preparing to go to the Middle East. One of them—a young man who has recently lost his father—has bought a one-way ticket. But his plans are complicated when his estranged sister returns home and makes it her mission to keep him there.
Ibsen's simmering, shimmering tale of a woman too large for her destiny gets a fresh adaptation, streamlined into a gilded juggernaut of secrecy and manipulation. Wandering Bark creates a collision of past and present to build a Hedda where the story's the same, but the devil's in the details.
Hedda Tesman (née Gabler) has everything, but wants none of it. Sealed in the coffin of a big house, a convenient marriage to a boring husband, and a dead-end existence as a woman in a man's world, Hedda can do nothing but dream and decay. But when an old flame flickers back under her palm, her hungry heart ignites a blaze of lust, deceit, and manipulation that could consume more lives than just her own.
Amidst the bustle of a crowded London train station, Georgie (Mary-Louise Parker) spots Alex (Denis Arndt), a much older man, and plants a kiss on his neck. This electric encounter thrusts these two strangers into a fascinating and life-changing game. Directed by Drama Desk Award winner Mark Brokaw (The Lyons, How I Learned to Drive), Heisenberg brings to blazing, theatrical life the uncertain and often comical sparring match that is human connection.
"Love is love" – but is navigating it any less complicated today? What does it mean to be in a committed relationship? Is monogamy just monotony? Told through interweaving glimpses into the life of an everyday couple unexpectedly confronted by a vicious crime, Homos, Or Everyone In America is a fearless, funny, heart-on- its-sleeve examination of the moments that can bring two people together – or pull them apart.
How to Be a New Yorker shows audiences everything they ever needed to know about what it takes to be a real New Yorker, or at least not stand out as a tourist.
Winner of 4 Tony awards, including Best Play!
The angst, anguish and amity of the American middle class are first coaxed – then shoved – into the light in this uproarious, hopeful, and heart-breaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate and give thanks at his daughter's apartment in lower Manhattan. As darkness falls outside the ramshackle pre-war duplex, and eerie things start to go bump in the night, the Blake clan's deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed, with humor and compassion, in this new American classic.
In July of 2000, immediately following the failed Israeli-Palestinian peace talks at Camp David, three adult siblings and their families gather in a suburb of DC for their father, Lou's, 75th birthday. Middle son Michael, a Jewish studies professor, has recently finished the manuscript he hopes will push him into tenure. Dedicated to his father, a Jewish WWII veteran, the book argues an incendiary point about American Jews, Israel, and the Holocaust – but Lou hasn't said a word about it, leaving Michael uneasy. And as the visit continues, it becomes clear that Lou isn't the only member of the family leaving things unspoken. Money, marriage, and career pressures bear down, quickly turning familial responsibility into resentment. With deep sensitivity and dark humor, If I Forget focuses an unwavering gaze on the personal politics of family, heritage, and history – and the scars and legacies they leave behind.
The beloved holiday production returns to Shakespeare & Company, with its live sound effects and rapid character changes. Follow George Bailey as he discovers the value of this wonderful life, guided by "angel, second-class" Clarence, on his own quest to earn his wings.
The play takes place on the eve of Annie's twenty-fourth birthday, when she is ditched by all but two of her friends. Although she tries to portray a cool and uncaring exterior, on the inside it kills her.
It's 2008 and gay punks Tuffer and Roderick are turning forty. Neither wants to face it. While Tuffer continues to smoke, snort, and screw his way through Manhattan's collegiate male population, Roderick's gone straightedge, embracing activism and martial arts. With the arrival of Tuffer's latest boy toy, Roderick can take no more. After a disastrous quasi-intervention, Tuffer agrees to a sobering-up at Roderick's folk-singing mother's house in rural New Mexico. Both will hit bottom on the high desert, on the edge, in the jamb.
Only one of two-time Pulitzer Prize winner August Wilson's plays in the author's masterful The American Century Cycle has never been seen on Broadway – until now. Set in the early 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss' son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last. MTC has a long history of co-producing works by this legendary playwright: King Hedley II, Seven Guitars and The Piano Lesson, and is proud to produce this Broadway debut.
In this sensational political thriller, Shakespeare explores the tension between private loyalties and the public good, and unflinchingly questions the price of freedom. Caesar is determined to crown himself as Rome's first emperor, but a few senators, led by the idealistic, intellectual Brutus and his manipulative, rebellious friend Cassius, are prepared to sacrifice everything to liberate their country...but instead of being greeted as liberators, they are met with civil war.
Kidnap Road by Catherine Filloux is a two-person theatrical imagining of the story of former Colombian senator and anti-corruption activist Íngrid Betancourt's captivity.
Samantha is lonely and confined to her bed. Layne is shy and too afraid of the world to journey into it. When both women decide that online dating might be the outlet they need, they venture into the wilds of the Internet and find deep connection in each other. The only problem: they're each pretending to be someone else. What happens when the feelings are real but the people are not?
Samantha is lonely and confined to her bed. Layne is shy and too afraid of the world to journey into it. When both women decide that online dating might be the outlet they need, they venture into the wilds of the Internet and find deep connection in each other. The only problem: they're each pretending to be someone else. What happens when the feelings are real but the people are not?
Stephen Adly Guirgis' play The Last Days of Judas Iscariot, directed by Estelle Parsons and performed by members of The Actors Studio, will be revived as part of the Studio's 70th anniversary celebration.
Ever wonder who that stranger is sitting next to you? What is their story? What are they hiding? Shellie and Dex dare to answer these questions after their flight is delayed on a snowy Thanksgiving night. What they discover about themselves, and each other, sends both of their lives into upheaval. From the darkly funny writer of Bachelorette, The Layover asks the question: Can you ever really get to know somebody when you're hiding so much yourself?
Le Blanc is a non-linear full length play with elements of music, art distillation, light design, and dance. The story uses the American foster care/adoption, child welfare, and adult judicial system as a backdrop to tell the rags to riches, demise, and redemption of a fictional world famous dancer and choreographer. Through a series of interviews both spoken and acted out, we explore the main character's life from his humble beginnings as an orphaned child born in the state of California, to his underground rise to notoriety on the NYC gay ballroom scene as a member of the "House Of Le Blanc", to his rise to mainstream success as a commercial dancer, to his metamorphosis into an infamous public figure and criminal on death row for murder. The stories of his life are woven together by exploring his most defining relationships.
In 1782, Choderlos de Laclos' novel of sex, intrigue and betrayal in pre-revolutionary France scandalized the world. Two hundred years later, in 1985, Christopher Hampton's stage adaptation became an award-winning sensation in London's West End and on Broadway, followed by the Academy Award-winning film Dangerous Liaisons starring Glenn Close, John Malkovich and Michelle Pfeiffer. Josie Rourke's acclaimed production transfers to Broadway after a sold-out engagement at London's Donmar Warehouse which ended earlier this year and starred Janet McTeer. The production was nominated for the Olivier Award for Best Revival.
Nate Martin is hopelessly single. When his most recent breakup, another in a lifelong string of ill-fated matches, casts him into a funk, he turns to the only source of wisdom he trusts: the stars. Poring over astrological charts, he obsessively questions his past and his place in the cosmos. But in Adam Bock's disarming new play, the answer he receives, when it comes, is shockingly obvious – and totally unpredictable.
Linda Wilde has it all. She's an award-winning senior executive as well as a busy wife and mother. But when she pitches a revolutionary concept that could change the way the world looks at women of a certain age, she finds herself fighting for her own relevance as every part of her carefully considered life starts to show cracks. MTC is proud to present this timely, moving, and fiercely funny new play by Penelope Skinner (this season's acclaimed The Ruins of Civilization) in the American premiere directed by MTC Artistic Director Lynne Meadow.
The White Witch has trapped Narnia in a perpetual state of winter with no hope of Christmas. But all that changes when four siblings venture through an old wardrobe and enter this land of talking animals, charming fauns, giants and dwarves. Standing shoulder to shoulder with Aslan the Great Lion, the children courageously battle the forces of evil and discover that Love is the deepest magic of all.
Set in Alabama in 1900, The Little Foxes follows Regina Giddens and her ruthless clan, including her sister-in-law Birdie, as they clash in often brutal ways in an effort to strike the deal of their lives. Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
In a first for Manhattan Theatre Club, Laura Linney and Cynthia Nixon will alternate in the roles of Regina Hubbard Giddens, and Birdie Hubbard, both members of a strong-willed aristocratic Southern family. The actresses will play the roles in repertory, appearing opposite each other at each performance.
A Pulitzer Prize finalist, written by A.R. Gurney, Love Letters has been performed all over the country. Love Letters is a touching, funny and ultimately moving story of a 50-year old correspondence between two childhood friends whose relationship weathers time and distance.
It's the late 1960s in a north London flat, and Henry is excitedly anticipating the arrival of his date, Sandra. The night changes course when Sandra and Henry's brother Kenneth quickly realize how much they have in common—their love of Rock and Roll and their love of marijuana, for starters. A fiery relationship is sparked in the haze of the 60s, and charred by today's brutal realities. Fast forward twenty-three years, and the economy and politics of an ever-changing world are wearing on the marriage of this baby boomer couple. Can they remain faithful to each other while trying to provide a loving and supportive home for their children—children who are growing up in a time when the next generation is not always provided for? Spanning more than four decades, this dark comedy is the story of what happens when the free-loving teens of the 60s face the harsh realities of today's world. From passion to paranoia, Love, Love, Love takes on the baby boomer generation as it retires, and finds it full of trouble.
Leonard Bernstein, one of America's greatest musicians, broke through every artistic ceiling possible to become the world's musical ambassador. Conductor, composer, pianist, author, teacher, librettist, television star…for Leonard Bernstein, boundaries simply did not exist. In Maestro, Hershey Felder combines narrative with Leonard Bernstein's music and the music of Beethoven, Wagner, Mahler, Copeland and others to bring to life the man the entire world knew as "Lenny."
David, recently retired, mourning the loss of his young son, revisits Mr. McKinley in Alaska, a mountain he sumitted at age 25. He's not climbing this visit. Instead he is guiding a group of Japanese honeymooners who hope to conceive a child under the spell of the Northern Lights.
In a small tea shop in South Africa, two black men and a young white boy joke and dance together, defying the brutalities of apartheid through their joyous love. But festering issues of family, race, and power are not so easy to ignore, and a single phone call can trigger catastrophe. Winner of the Drama Desk and London Evening Standard Awards for Best Play, "Master Harold" ... and the boys reveals the profound personal consequences of oppression.
In this tale of irrepressible lust, impossible purity, and infuriating hypocrisy, Godwin sees a high-stakes conflict of clashing ideologies—a tensely diverse world in which incompatible values collide and expose the tenuous boundary between order and anarchy.
A man who forgets everything falls in love with a ballerina who forgets nothing. That is, until she falls in love with him. And his wife. And the mechanic. This rapidly moving, madcap comedy explores how we love, who we choose, and the cost of making sense of it all.
Set in a modern day playground, A Midsummer Night's Dream, directed by Tamilla Woodard, riffs on the culture of uber celebrity, where Oberon and Tatiana are the Kanye and Kim of the fairy world. As they argue, their immense celebrity and power creates a hysterical ripple effect in the mortal world.
Marisa Marquez uses the stage to share how one woman, who struggles with suicide and depression, finds herself amongst some of the most influential women in Asian history. Her attempt to take her own life instead takes her on a magically theatrical journey that forces her to question her own identity. In a space between this life and the next, these heartfelt and humorous characters present Ms. Oriental with a choice: live or die.
The mob just made a hit but everyone is going to live to talk about it, and talking they are because, when the "boys" get together it's murder! Join us for a private audience with the Don, maybe he'll make you an offer you can't refuse. Mingle with mobsters and molls, meet the new "Boss of Bosses", break bread and heads with wiseguys and Mafia princesses. Sure you'll be rubbing elbows with goodfellas and ducking bullets over Broadway but it won't stop the fun! Eat, Drink, Dance, and be Merry, for tonight you could die...laughing!
The two and a half hour interactive comedy mystery features a three course sit down dinner and dancing . "Fuhgeddaboudit" !! You even have the chance to solve the case and win some prizes. Seven prizes in every performance including "Academy Awards" for the best actor & actress chosen from the audience.
In the third chapter of the Big Gay Italian trilogy. Wilkinson's character is approaching his 40's and is faced with the challenges of balancing his now very successful weight loss company with past and present gay relationships. Fun familiar characters and some new ones come together to join him on his journey in another outrageous comedy of errors.
The women of the Muscolino family have lived for years under the frightening temper of their husband and father. All are desperate for a life beyond their four walls, hiding dreams, loves, and longings. But when an accidental tragedy rocks the neighborhood, the family's plans are put on hold. The women fight to find their voices and struggle to hold on to them and to each other. Napoli, Brooklyn is a play about sisterhood, freedom, and forgiveness in 1960s Brooklyn.
In August 1831, Nat Turner led a slave uprising that shook the conscience of the nation. Turner's startling account of his prophecy and the insurrection was recorded and published by attorney Thomas R. Gray. NYTW 2050 Fellow Nathan Alan Davis makes his New York debut with a timely new play that imagines Turner's final night in a jail cell in Jerusalem, Virginia, as he is revisited by Gray and they reckon with what has passed and what the dawn will bring. Woven with vivid imagery and indelible lyricism, Nat Turner in Jerusalem examines the power of an individual's resolute convictions and their seismic reverberations through time.
In the summer of 1992 in Medford, N.J., Adam and his gang of friends face life after high school. But when the fivesome encounter a mysterious visitor from another world, their lives are forever changed. A dark comedy about that time when everything and nothing seems possible.
Fusion Theatre, set up by award winning Irish Actress/Singer Eilin O'Dea, has the objective of re-visiting and adapting classical plays, obliterating pre-conceived boundaries between theatre and music and presenting both theatre lovers and opera fans with a theatrical experience where both genres are seamlessly merged. Fusion Theatre is thrilled to begin its journey with Sartre's masterpiece where audiences are promised a novel and groundbreaking interpretation of No Exit. Working with an experienced Broadway cast of actors as well as Opera stars this production is a must see for theatre and music lovers across the board.
Not That Jewish is Emmy Award-winning writer, actress and comedian Monica Piper's autobiographical telling of a Jew…'ish' girl's life. From growing up in a show business family in the Bronx and taking her first step on to a comedy club stage, to a WASP wedding and an "almost" night with Mickey Mantle, Piper shares the milestones and moments that shaped her life, using the same signature wit found in her writing on Roseanne and Mad About You and her Emmy Award winning work on Rugrats. Over the course of 80 minutes, the audience travels with Piper from innocence to individuality, reliant to resilient, sharing both the hilarity and the heartache along the way.
One of the most hailed and provocative theatre artists of our time, Anna Deavere Smith, leads a new installation of powerful first person storytelling in Notes from the Field: Doing Time in Education. Urgent and inspiring, it depicts the personal accounts of students, parents, teachers and administrators caught in America's school-to-prison pipeline. Investigating a justice system that pushes minors from poor communities out of the classroom and into incarceration, Notes from the Field: Doing Time in Education shines a light on a lost generation of American youth. Drawn from interviews with more than 200 people living and working within a challenged system, Anna Deavere Smith continues her mastery of the documentary solo performance by stimulating awareness and ultimately, change for the better.
A contemporary musical fable set on Christmas Eve 2002, a year and a season after 9/11, the event that turned our world upside down. In the doomed Tower Diner at Ground Zero in lower Manhattan, the loyal staff and eccentric regulars gather to raise one final toast before the wrecking ball strikes. Enter a mysterious stranger, who seems to be a firefighter with no memory of who he is, but a preternatural ability to decipher the secrets of those he encounters. With a fierce sense of purpose he battles the real estate profiteer cashing in on the tragedy, but in so doing uncovers the profound, sad secret of his own identity, paradoxically restoring hope to all the lonely strangers he encounters.
Oh, Hello on Broadway is the Broadway premiere of two of the two hottest voices in comedy today, Nick Kroll (Comedy Central's Kroll Show) and John Mulaney (Netflix's The Comeback Kid). The Hollywood Reporter calls Kroll and Mulaney "the funniest comic duo of their generation!"
Respectively, the duo star as Gil Faizon and George St. Geegland - outrageously opinionated, 70-something, native New Yorkers that Kroll and Mulaney first began performing on the alternative comedy stages in NYC. Honed for over a decade, the fictional duo garnered a cult following and found their way onto a Comedy Central special, viral videos and late night couches everywhere. Oh, Hello on Broadway is Gil and George's "memoir for the stage" - a laugh-a-minute two-man tour-de-force that's part scripted, part spontaneous comedy, and totally unprecedented.
In Orange Julius, Nut grew up the youngest child of Julius, a Vietnam vet, in 1980s and 90s working-class America. As Julius suffers the toxic effects of Agent Orange, Nut worries their time together may run out before they can embrace something essential about their relationship. Paging through forgotten photo albums and acting out old war movies about brothers-in-arms, Nut leaps through time and memory, tracing the complex intimacy between father and child when the child is transgender, fighting for a mutual recognition before it's too late. This will be Mr. Kreimendahl's first NY production.
It's 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and PLO Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators?
A darkly comic epic, Oslo tells the true but until now untold story of how one young couple, Norwegian diplomat Mona Juul and her husband social scientist Terje Rød-Larsen, planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. Featuring dozens of characters and set in locations across the globe, Oslo is both a political thriller and the personal story of a small band of women and men struggling together—and fighting each other—as they seek to change the world.
A darkly comic epic, Oslo tells the true but until now untold story of how one young couple, Norwegian diplomat Mona Juul (Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. Featuring dozens of characters and set in locations across the globe, Oslo is both a political thriller and the personal story of a small band of women and men struggling together—and fighting each other—as they seek to change the world.
In William Shakespeare's Othello, David Oyelowo and Daniel Craig will be joined by David Wilson Barnes (Bridge of Spies), Marsha Stephanie Blake (Orange Is the New Black), Rachel Brosnahan (House of Cards), Blake DeLong (Natasha, Pierre & The Great Comet of 1812), Glenn Fitzgerald (Dirty Sexy Money), Slate Holmgren (King Lear), Anthony Michael Lopez (The Penalty), Matthew Maher (The Flick), Nikki Massoud (Zealot), Kyle Vincent Terry (Robin Hood), and Finn Wittrock (American Horror Story).
Universes, the award-winning ensemble known for their fusion of theater, poetry, jazz, hip-hop, politics, down home blues and Spanish boleros, makes their Public Theater premiere with an explosive new work about the complicated legacies of the Black Panther Party and the Young Lords Org/Party. Directed and developed by Tony Award nominee Liesl Tommy, Universes created Party People based on dozens of interviews with members of these groundbreaking, society-changing groups. Party People imagines a present-day reunion at an art opening curated by two young counter culturalists; but the curators themselves have complex relationships with the Party members, who fought injustice and provided free food and medical care for their communities—often at the expense of the people who loved them most. Old wounds and generational divides collide in this astonishing, multi-media theatrical event about the price of being a revolutionary, and what it means for those who come after. Breaking the bounds of the expected, the members of Universes (Steven Sapp, Mildred Ruiz-Sapp and William Ruiz aka Ninja) and Liesl Tommy —invite audiences of every age, color and creed to join them as they continue to revolutionize American theater and explore the fight to bring power to the people, and the people to power.
Warren Manzi's long-running mystery, Perfect Crime, is about a small-town detective determined to prove that an affluent psychiatrist murdered her husband.
The Pigeon in the Taj Mahal, by Laoisa Sexton, is a story about trying to get home. In the West of Ireland, a lonely outsider is forced to live on an abandoned campsite on the barren outskirts of a seaside town. But late one night, when a lost bachelorette party discover his caravan, he finds his whole existence challenged and his home life threatened. During this long night of reckoning, amongst the glitter and the grime, a battle for survival ensues, but in these few hours can tender love save us all? Worlds collide in this darkly funny pressure cooker of a play about how we live now.
Pitecus investigates the relationship between Man and his perversions.
One of the most celebrated plays in The Public's history, David Hare's Plenty returns this fall in a riveting new production. This groundbreaking play, which first premiered at The Public in 1982, is the story of Susan Traherne, a fiercely intelligent British secret agent flown into France during the Second World War. Susan's experiences among her war-time colleagues and over the two decades that follow are distilled in powerful scenes in this endlessly layered work about a woman of remarkable bravery, who cannot find in peacetime the values and relationships she cherished in war.
Cate Blanchett and Richard Roxburgh succumb to the intoxicating power of lust and obsession in the Sydney Theatre Company's production of The Present A new adaptation of Anton Chekhov's first play, most commonly referred to as Platonov, The Present unfolds over the course of a raucous weekend birthday celebration in the Russian countryside. Old flames ignite in this passionate and bitingly comic play. Performed by thirteen of Australia's finest actors, The Present is adapted by Andrew Upton, who – with Ms. Blanchett – led Sydney Theatre Company in an acclaimed five-year tenure responsible for such watershed productions as A Streetcar Named Desire (BAM, 2009) and Uncle Vanya (Lincoln Center Festival, 2012). John Crowley (Fox Searchlight's Brooklyn) directs.
When the Great Depression cost his family their fortune, Victor Franz gave up his dream of an education to support his father. Three decades later, Victor has returned to his childhood home to sell the remainder of his parents' estate. His wife, his estranged brother, and the wily furniture dealer hired to appraise their possessions all arrive with their own agendas, forcing Victor to confront a question, long‐stifled, about the value of his sacrifice. One of the most personal plays by the consummate voice of the American everyman, Arthur Miller's The Price is a riveting story about the struggle to make peace with the past and create hope for the future.
ONE MONDAY A MONTH! Tickets on sale the first of every month.
For the first time ever, every play George Bernard Shaw ever wrote for the stage will be presented to New York audiences. Every sketch, full-length and one-act play will be performed as a concert reading. Eager Shavians will be gathering for this unique event, one Monday a month, at New York's legendary Players Club. Each month, a specially assembled, star-studded cast will present a different play, many of which have never before been performed in New York City. This series is being produced and directed by David Staller.
Ibsen's parable of the collision of truth and politics in the public sphere takes on new immediacy in the punchy and raw adaptation from the playwright behind Broadway's Blackbird. When Dr. Stockmann finds that the town's tourist-friendly baths contain lethal levels of toxins, he sets out to clear the air and quickly finds his friends and neighbors poisoned against him.
Belfast is a place where things need to be said. Following the 1999 Easter Peace Accord, guns were silenced but the chasm between the Republican and Unionist sides remains wide and bitter. Tonight, in a small back-street bar, Jimmy and Ian will meet for the first time. Forty years before a violent incident irrevocably changed the lives of both men and now they need to talk. Quietly is a powerful play about violence and forgiveness, about the limits of healing, the lottery of bearing witness, and the profit of truth. After enjoying huge international success, the Abbey Theatre brings this important new work to Irish Rep.
Six guests talk, joke, dance, drink and eat. At times, they hold still, and at other times, they move about. There is music, there is silence, and there is chatter. Old friends mingle with new acquaintances. Slowly the guests warp and rewind their actions as the celebration's mundaneness gives way to something more ominous. No one can leave. No one else arrives. The Reception is a performance that exists between the lines of theater and installation. Drawing inspiration from Luis Buñuel's The Exterminating Angel, which explores physical entrapment and the breakdown of bourgeois behavior, The Reception situates itself in modern-day New York City, but contends with bourgeois values and the surreal decadence of the 21st century in a new way.
Repertorio Español presents a rotating repertory of plays in Spanish from the most recognized contemporary and classic playwrights. In addition, Repertorio presents the best in Spanish and Flamenco dance. All plays are presented in Spanish with live simultaneous translation to English via wireless headsets.
What better way to expose the dangers of social stagnation, unexamined group thought, and burgeoning totalitarianism, than through spontaneous animal transformation? Ionesco's blunt satire rampages through a world of everyday people at first perplexed and then swept up in the most outlandish cultural makeover ever devised. After all, "rhnocifcation" can happen to anyone—so keep your eyes open.
Riot Antigone, a new punk rock exploration of Antigone by Seon Jae Kim.
In this beautiful masterpiece, three women living in Houston, Texas in the 1920s grapple with the eternal question, "Where is home?" The Roads to Home offers a rare chance to experience a Horton Foote gem not seen on the New York stage in over 25 years, in one of New York's most intimate and historic venues, the Cherry Lane Theatre. This timeless production will feature direction by Michael Wilson (Foote's longtime collaborator who won Drama Desk and Outer Critics Circle Awards for The Orphans' Home Cycle) and performances from Drama Desk winner Devon Abner and Tony-nominated Hallie Foote, the foremost contemporary interpreter of Horton's work.
When Bridget Bishop, the drag queen, acts out the life of Bridget Bishop, the Salem witch, she loses track of what is part of her act and what is part of her real life. Does her daughter doubt her? Does her lover love her? Will her stilettos kill her? As Bridget lip-syncs her way through Bridget Bishop Presents: The Salem Bitch Trials by Jared Rubin Sprowls, she determines whether she's hiding behind a character or getting closer to her true self.
The return engagement of Bedlam's sold-out, critically acclaimed production of Jane Austen's Sense & Sensibility, adapted for the stage by Kate Hamill.
You've never seen Austen like this! Called the "greatest stage adaptation of this novel in history", this rollicking, ingeniously-staged new adaptation follows the adventures (and misadventures) of the Dashwood sisters - sensible Elinor and hypersensitive Marianne - after their sudden loss of fortune. Bursting with humor, emotion, and bold theatricality, Sense & Sensibility asks: when reputation is everything, how do you follow your heart?
Entertainment with benefits! In this new three-character comedy featuring a straight woman, a seductive model, and you-know-who, audiences are welcomed into a fun-filled world of foolproof moves and insider advice that could only be culled from that most insightful of individuals: the gay man. Sex Tips for Straight Women from a Gay Man is based on the international best-selling book of the same title.
A limited number of $35.00 rush tickets will be available on a first come, first serve basis and subject to availability when the box office opens one hour prior to the performance.
A fresh new take to a classic 18th century comedy, the hilarious She Stoops to Conquer.
Ship of Fools is an interdisciplinary theater piece with live music, puppetry and movement that seeks to illuminate the age-old practice of pathologizing women's bodies and minds. As the audience weaves through reimagined moments in history, they're jolted by moments of jarring fantasy and provocative questions: are the inmates running the asylum? Who is actually steering the ship: citizen, celebrity, politician or madman? What happens when this ship, sailing blind, finally runs aground?
Meet Jordan Berman. He's single. And he has a date with a co-worker to see a documentary about the Franco-Prussian war. At least, he thinks it's a date. Significant Other follows Jordan and his three closest friends as they navigate love, friendship and New York in the twenty-something years.
Following her acclaimed repertory staging of Ibsen's A Doll's House adapted by Thornton Wilder and Strindberg's The Father in a new version by David Greig, Arin Arbus will stage Thornton Wilder's beloved modern masterpiece The Skin of Our Teeth — a whimsical, profound, searingly funny paean to human perseverance and indestructibility.
Written during the darkest period of World War II, this ageless and charming play has not had a major New York production since 1998. Wilder's quintessential Antrobus family copes with chaos, the frustrations of parents and children set against the crises threatening humanity's survival.
In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward humor, this strange and compassionate new play asks how we address life's biggest questions when words fail us.
This haunting work by the Pulitzer Prize-winning writer of Anna in the Tropics explores the indelible power of memories and the resiliency of true love. A passionate, Jewish-Cuban young man seeks out a famous, reclusive novelist who, decades earlier was separated from her lover when he boarded the MS St. Louis, an ill-fated ship of Jewish refugees during World War II. Acclaimed actor Annette Miller vividly portrays this remarkable woman. Ms. Miller and director Daniel Gidron are the same artistic team behind Shakespeare & Company's 2009 production of Golda's Balcony.
Applauded by The New York Times as "shamelessly clever and deeply satisfying!" this acclaimed festival of new American short plays from some of the country's top playwrights returns to 59E59 Theaters for a tenth consecutive season! Representing some of today's best writing, directing, and acting talents, Summer Shorts celebrates theater, summer, and the short form. The festival's two separate series of three plays each will run in rotating repertory and offer a diverse range of voices, styles, and subject matter.
The Helpers by Cusi Cram, directed by Jessie D. Hill
After the Wedding by Neil Labute, directed by Maria Milear
This is How It Ends by A. Rey Pamatmat, directed by Ed Sylanus Iskandar
The Dark Clothes of Night by Richard Alfredo, directed by Alexander Dinelaris
Queen by Alexander Dinelaris, inspired by The Woman Who Came at Six O'Clock by Gabriel Garcia Márquez, directed by Victor Slezak
Black Flag by Idris Goodwin, directed by Logan Vaughn
The Public presents the New York premiere of Sweat, the "extraordinarily moving drama" (The New York Times) by the Pulitzer Prize-winning playwright of Ruined, Lynn Nottage. With warm humor and tremendous heart, Sweat tells the story of a group of friends who have spent their lives sharing drinks, secrets and laughs while working together on the line of a factory floor. But when layoffs and picket lines begin to chip away at their trust, the friends find themselves pitted against each other in the hard fight to stay afloat. Kate Whoriskey (Ruined) directs this stunning new play about the collision of race, class, family and friendship, and the tragic, unintended costs of community without opportunity.
Mia is desperate to sell her New Jersey home. She wants to study pastry making in California and plans to move there with her young daughter. But on the very day she's showing the property to very interested buyers, her alcoholic grandmother decides to skip her meds, her grieving former lover shows up unannounced, the roof begins leaking, and the toilet needs fixing. Her best friend does what she can to help her hold it all together. Still, it's left to Mia to discover what can happen when one tries too hard to run away from a past one's still living in.
Playwright Shelagh Delaney rocked the theatre world when, at 18, she wrote a play that both defined and defied her generation. A Taste of Honey is the clever, passionate, and poignant story of a young woman facing an uncertain future in a hostile world—and learning to trust that love, in its every heartbreaking and messy form, will see her through. A Taste of Honey was last staged Off-Broadway in 1981.
The Donmar Warehouse returns to St. Ann's with The Tempest, the third and final installment of Phyllida Lloyd's all-female Shakespeare trilogy. Set in a women's prison, The Tempest follows Lloyd's productions of Julius Caesar and Henry IV, and will once again be led by the great Harriet Walter, "one of the best Shakespeareans alive" (The Guardian).
St. Ann's has been the proud American home of the revelatory trilogy which has ignited a cultural and social conversation about gender, equality and aspiration on both sides of the Atlantic, as it empowers women to play the great Shakespearean roles normally reserved for men. The Tempest comes with a comprehensive education program for underserved youth in New York City public schools and young women touched by the juvenile justice system.
Renowned performance artist John Kelly performs Time No Line, which focusses on how we are able to identify collective histories through the experience of one individual.
Academy Award-nominated writer and actress Nia Vardalos (My Big Fat Greek Wedding) makes her Public Theater debut with a richly funny, uniquely uplifting new play she has adapted from the bestselling book Tiny Beautiful Things by Cheryl Strayed, the internationally acclaimed author of Wild. Vardalos is Sugar, the online advice columnist who thousands of people have turned to for words of wisdom, honesty and hope. As anonymous readers come to her with their deepest and most personal problems, Sugar—who ultimately revealed herself to be Strayed—finds a way to weave her own life experiences together with theirs, creating a beloved column about the monstrous beauty, endless dark and glimmering light at the heart of being human. Tony Award nominee Thomas Kail (Dry Powder, Hamilton) directs this powerful new play about reaching when you're stuck, healing when you're broken, and finding the courage to take on the questions which don't have an answer.
A poignant and gripping play about the nature of love, loss, and humanity's overwhelming desire for a moment of connection by award-winning writer Toni Press-Coffman.
During a chance meeting in a high school physics class, astronomer Kyle Kalke meets and falls in love with vivacious, flamboyant, and open-hearted Zoe. When a random act of violence rips her from him six years later, Kyle's life is sent into turmoil. Told through a shifting collection of memories, Touch follows one man's journey as he questions whether there is any point to rediscovering hope and moving past grief to find a human connection that will allow him to love again.
Billy was born deaf into a fiercely idiosyncratic and politically incorrect family. While he has adapted brilliantly to his family's unconventional ways, they've never bothered to return the favor. It's not until he meets Sylvia, a young woman on the brink of deafness, that he finally understands what it means to "speak up" for himself.
Boy meets girl. Boy loves girl. Boy's best friend meets girl and also loves girl. Hilarity ensues as love is professed, secret plans are made, and friendships are betrayed. This early romantic comedy takes a gleeful look at the fickle nature of young love and features one of Shakespeare's most engaging comic heroines, two of his funniest clowns, and the best role ever for a dog.
Combat veteran Jess comes home to Florida after three tours in Afghanistan bearing deep physical and emotional scars. An innovative, experimental video game therapy offers an escape from her excruciating pain - but can virtual reality help Jess come to terms with the altered reality of her hometown, relationships, and dreams? This timely, tough, and humorous new drama received the Woodward/Newman Award and the Laurents/Hatcher Citation of Excellence.
Satirical, socio-political play about fighting cultural and identity crisis's, as encompassed with newlywed and interracial couple, Shawn and Margaux, living in gentrified Bed-Stuy, Brooklyn. The happy couple is unfortunately unable to conceive but agrees to adopt, but only, according to Shawn, if the child is white. He argues, "If I can relieve myself of the constant worry of my child being taken away from me at any moment, at the whim of those who don't care one bit about Black Lives Matter, then that's what I'll do!"
Presented by Anthony Anderson of ABC's hit black-ish, Uncle Tom vs. Uncle Sam is the profound and humorous examination of the greater Black community and its ongoing identity crisis concerning self-love, aesthetics, and their general accommodations for survival and acceptance in a...post-racial era.
In a society that cares more for good birth and good manners than for skill, Becky Sharp, poor, plain, and devilishly clever, is determined to defy the odds. Through risky romantic entanglements, shady business practices and social climbing at any cost, she won't stop until the world lies at her feet. Adapted by Kate Hamill (Sense and Sensibility) from William Makepeace Thackeray's masterpiece, Vanity Fair exposes a world where surfaces are everything, virtue is only skin deep, and every fifteen minutes of fame carries heart-pounding risk.
Leaving her home in southern Africa for a better life, Saartjie Baartman became a star on the 19th Century London freak show circuit for the size of her posterior. This Obie Award-winning play gives vibrant life to the story of Baartman's journey to London, her rise to fame as the "Hottentot Venus" and her eventual love affair with a French scientist. Inspired by the true story of Baartman, Venus is a wild carnival, bursting with humor and heart while examining the paradox of love.
A modern twist on the All-American love story, Qui Nguyen's (She Kills Monsters) new play Vietgone pulses with contemporary energy. It's the classic story of boy meets girl - except this boy and girl are refugees from the Vietnam War newly settled in a relocation camp inside Middle America. Borrowing elements from the world of up-to-the-minute popular culture to recreate the playwright's own parents' meeting, Vietgone ranges from hilarity to heart-wrenching drama. Nguyen and director May Adrales (Luce at LCT3) skip through time and around the globe to present a fresh theatrical take on a moving account of one real family's history.
Water, a collaboratively created piece of participatory theater that explores human relationships to the environment in the face of profound ecological threat, reunites playwright Callaghan, director Topol, New Georges and 3LD eleven years after the extended run of New Georges' critically-acclaimed 2006 production of Callaghan and Topol's Dead City, the first production to open at 3LD.
Having lost her mother to illness, Ginnifer has moved into her mother's home in the town she grew up in. After learning a former childhood boyfriend has committed a mass shooting, Ginnifer must confront her relationship to the heinous crime as well as her place in America as a single woman approaching middle age. Timely and moving. When It's You complexly and honestly explores America today.
One night in 1943 Berlin, during an S.S. raid, a German Cabaret singer opens her door to save a Jewish Resistance fighter. As the hours unfold, destiny winds their lives more tightly together until there is no turning back. "When Yellow Were the Stars on Earth" tells a story of two rarely written about realities: Jewish female fighters and Germans who died refusing to be part of Nazi machinery. Amidst the atrocities of WWII, these women transcend enemy lines and, in their final moments, make an ultimate heroic sacrifice.
Direct from its production at the Delaware Theatre Company, White Guy on a Bus — a play that unravels a complex web of moral ambiguity, revenge, and racial bias — arrives in New York. A wealthy white businessman and a struggling black single mom ride the same bus week after week. As they get to know each other, their relationship sparks a candid and surprising look at racial and economic divides.
White Rabbit Red Rabbit has been called a play. But it's a lively, global sensation that no-one is allowed to talk about. Its award-winning playwright, Nassim Soleimanpour, is Iranian. His words have escaped censorship and are awaiting your audience. Slyly humorous and audaciously pointed, this 'theater entertainment meets social experiment' is unlike anything, and will make you question everything.
We dare you not to google for more. Join the actors and leap!
Left quad. Right quad. Lunge. An all girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. The Wolves is a portrait of life, liberty and the pursuit of happiness for nine American teens who just want to score some goals.
Bobbie and Hench are home alone. Days are filled by streaming porn, playing Call of Duty, watching the world go by. Their mom rarely visits these days, and it's chaos when she does. But when animal-loving neighbor Jenny takes an interest in their dog Taliban, the boys discover a world far beyond what they know. Yen explores a childhood lived without boundaries.