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Merrily We Roll Along
Tickets and Information


SHOW INFORMATION

This show has not yet been rated.

CURRENTLY CLOSED
Opened Feb 8, 2012
Closed Feb 19, 2012

Visit the Merrily We Roll Along website:
http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=5956

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WHAT IS IT ABOUT?

Merrily We Roll Along, with music and lyrics by Stephen Sondheim and book by George Furth, is a musical about friendship and the compromise of youthful ideals, based on the 1934 play of the same name by George S. Kaufman and Moss Hart. Merrily We Roll Along begins in 1980 and moves backward in time, from 1980 - 1955, telling the story of three friends whose friendship is tested by time, events, ambition and fate. It charts the rise of a songwriting team during the years of Sondheim's own early career, and includes some of his most brilliant and bruising songs, including "Not a Day Goes By," "Old Friends," "Our Time" and "Opening Doors." Although unsuccessful in its original 1981 Broadway production (which ran 16 performances at the Alvin Theatre), Merrily has gained stature and reputation over the ensuing years, beginning with a reconfigured version at the La Jolla Playhouse in California in 1985, directed by frequent Sondheim collaborator James Lapine. Mr. Lapine will return to the project as director of the Encores! production.

THEATER/VENUE INFORMATION:



New York City Center
130 W 55th St
New York, NY 10105


WHAT ARE CRITICS SAYING?

There's a chill of excitement to be had when Rob Berman strikes up The Encores! Orchestra for the overture to Stephen Sondheim and George Furth's Merrily We Roll Along, running through February 19 at New York City Center. Not only does the 23-piece band sound terrific, it's also delivering a host of melodies familiar to many audience members -- a curious phenomenon for a show that lasted a mere 16 performances in its original Broadway outing 30 years ago.

As the production moves forward, theatergoers will find that this incarnation of the show, directed by James Lapine, who has also created this "concert adaptation," never completely sustains its ability to deliver similar moments of elect[...]


Reviewed by Andy Propst on Feb 9, 2012

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