"Because our theater is so small we cannot help but put the focus on people," says Kevin Belle, the young director of The Life, the so-called prostitute musical by composer Cy Coleman, running at the Circle Theatre in west-suburban Forest Park. "On Broadway it did not seem so personal because it was all about the sets. Our audiences have the advantage of seeing the show taking place right up against them," Belle says.
Northlight, one of Chicago's major non-profit theaters, is a far larger outfit than Circle. And this is also not the first post-Broadway production of the show that features not only direction by Joe Leonardo, artistic director of NETworks, but also a performance by Kristen Behrendt, who was the standby for Violet in the Broadway production.
Still, very few theaters have dared to produce Side Show since it's 1997-98 Broadway run. And, to be sure, the Northlight version is also quite different from the Broadway original.
For a start, the show has been reconfigured for a thrust theater that seats only about 350 people. That allows for a palpable sense of immediacy when, in the opening numbers, the cast tells the members of the audience to "Come Look at the Freaks." In Northlight's theater at the North Shore Center for the Performing Arts in Skokie, you don't have much choice but to stare directly in a performer's face.
"The energy is more intense at Northlight," says Behrendt, now the first-rank Violet. "You can really feel what's going on in the theater here."
"This is a show about a pair of sisters with a deep bond," says Susan McMonagle, who plays Daisy Hilton. "It adds something to have real chemistry." Interestingly, McMonagle never saw Side Show in New York, so by necessity comes to the material from a completely fresh perspective.
Northlight managing director Richard Friedman openly admits that part of the appeal of Side Show is voyeuristic. And since people are naturally interested in how the Hilton twins went to the bathroom or made love--or even how they managed to roll over in bed--it works far better to serve up the leads in a setting where their attachment--physical and otherwise--is more obvious and immediate.
"The twins realize," Friedman says, "that no one will ever be as close to them as their sister. It's very moving."
