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Only one of Pulitzer Prize winner August Wilson's plays in his masterful American Century Cycle has never been seen on Broadway — until now. Set in the early 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss' son returns from prison, tempers flare, potent secrets are revealed, and the fragile threads binding these people together may come undone at last. Manhattan Theatre Club has a long history of coproducing works by this legendary playwright — King Hedley II, Seven Guitars, The Piano Lesson — and is proud to produce the Broadway debut of Jitney.
In the final scene of Ibsen's 1879 groundbreaking masterwork, Nora Helmer makes the shocking decision to leave her husband and children, and begin a life on her own. This climactic event — when Nora slams the door on everything in her life — instantly propelled world drama into the modern age. In A Doll's House, Part 2, many years have passed since Nora's exit. Now, there's a knock on that same door. Nora has returned. But why? And what will it mean for those she left behind?
Ben Hecht and Charles MacArthur's classic 1928 comedy, The Front Page, is now on Broadway.
The press room of Chicago's Criminal Courts Building is buzzing with reporters covering the story of an escaped prisoner. When star reporter Hildy Johnson (John Slattery) accidentally discovers the runaway convict, he and his editor, Walter Burns (Nathan Lane), conspire to hide the man from the other reporters while the two of them chase the biggest scoop of their careers.
Sally Field and Joe Mantello star in The Glass Menagerie on Broadway.
The Glass Menagerie is the play that brought a brilliant young writer named Tennessee Williams to national attention and, in his own words, "changed my life irrevocably" when it premiered on Broadway in 1945. More than 70 years later, Williams' most personal work for the stage continues to captivate and overwhelm audiences around the world.
Indecent is a new play from Pulitzer Prize winner Paula Vogel inspired by the true story of the controversial 1923 Broadway debut of Sholem Asch's God of Vengeance. It charts the journey of an incendiary drama and the artists who risked their lives to perform it. Created by Vogel and director Rebecca Taichman and set at a time when waves of immigrants were changing the face of America, this play with music is a riveting look at an explosive moment in theatrical history and comes to Broadway from its critically acclaimed, sold-out run at the Vineyard Theatre.
Set in Alabama in 1900, The Little Foxes follows Regina Giddens and her ruthless clan, including her sister-in-law Birdie, as they clash in often brutal ways in an effort to strike the deal of their lives. Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
In a first for Manhattan Theatre Club, Laura Linney and Cynthia Nixon will alternate between the roles of Regina and Birdie, both members of a strong-willed, aristocratic Southern family. The actresses will play the characters in repertory, appearing opposite each other at each performance.
Oh, Hello on Broadway is the Broadway premiere of two of the hottest voices in comedy today: Nick Kroll (Comedy Central's Kroll Show) and John Mulaney (Netflix's The Comeback Kid). Respectively, the duo star as Gil Faizon and George St. Geegland — outrageously opinionated, 70-something, native New Yorkers whom Kroll and Mulaney first began performing as on the alternative comedy stages in NYC. Honed for over a decade, the fictional duo garnered a cult following and found their way onto a Comedy Central special, viral videos, and late night couches everywhere. Oh, Hello on Broadway is Gil and George's "memoir for the stage" — a laugh-a-minute, two-man tour de force that's partly scripted, partly spontaneous, and totally unprecedented comedy.
A darkly comic epic, Oslo is the true but untold (until now) story of how one young couple, Norwegian diplomat Mona Juul (Jennifer Ehle) and her husband, the social scientist Terje Rød-Larsen (Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. Featuring dozens of characters and locations across the globe, Oslo is both a political thriller and the personal story of a small band of women and men struggling together — and fighting one another — as they seek to change the world.
Cate Blanchett and Richard Roxburgh succumb to the intoxicating power of lust and obsession in the Sydney Theatre Company's production of The Present. A new adaptation of Platonov, Anton Chekhov's first play, The Present unfolds over the course of a raucous weekend birthday celebration in the Russian countryside. Old flames ignite in this passionate and bitingly comic work. Performed by 13 of Australia's finest actors, The Present is adapted by Andrew Upton, who — along with Blanchett — led Sydney Theatre Company in an acclaimed five-year tenure that included such watershed productions as A Streetcar Named Desire (BAM, 2009) and Uncle Vanya (Lincoln Center Festival, 2012). John Crowley (Fox Searchlight's Brooklyn) directs.
When his family lost their fortune in the Great Depression, Victor Franz gave up his dream of an education to support his father. Three decades later, Victor has returned to his childhood home to sell the remainder of his parents' estate. His wife, his estranged brother, and the wily furniture dealer hired to appraise their possessions all arrive with their own agendas, forcing Victor to confront a question, long‐stifled, about the value of his sacrifice. One of the most personal plays from the consummate voice of the American everyman, Arthur Miller's The Price is a riveting story about the struggle to make peace with the past and create hope for the future.
Meet Jordan Berman. He's single, but he has a date with a coworker to see a documentary about the Franco-Prussian war. At least, he thinks it's a date. Significant Other, a new play by Joshua Harmon (Bad Jews), follows Jordan and his three closest friends as they navigate love, friendship, and New York in their 20s.
This production marks a Broadway debut for Harmon as well as director Trip Cullman. Cullman, a rising young talent, guided Significant Other to and through its off-Broadway run at Roundabout Theater Company. Much of the off-Broadway cast, including lead actor Gideon Glick, will reprise their roles on Broadway.
Inspired by a true story, the play follows the trail of a young black con man, Paul, who insinuates himself into the lives of a wealthy New York couple, Ouisa and Flan Kittredge, saying he knows their son at college. Claiming he himself is the son of actor Sidney Poitier, Paul tells them he's just been mugged and all his money is gone. Captivated by Paul's intelligence (and the possibility of appearing in his father's new movie), the Kittredges invite him to stay overnight. After finding him in bed with a hustler, their view of Paul changes, and Ouisa and Flan turn detective trying to piece together the connections that gave him access to their lives. Meanwhile, Paul's cons unexpectedly lead him into darker territory as his lies begin to catch up with him.
With warm humor and tremendous heart, Lynn Nottage's Sweat tells the story of a group of friends who have spent their lives sharing drinks, secrets, and laughs while working together on the line of a factory floor. But when layoffs and picket lines begin to chip away at their trust, the friends find themselves pitted against each other in the hard fight to stay afloat.