Hot Feet
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SHOW INFORMATION
CURRENTLY CLOSED
Opened Apr 30, 2006
Closed Jul 23, 2006
Opened Apr 30, 2006
Closed Jul 23, 2006
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WHAT IS IT ABOUT?
Hot Feet, a new dance musical conceived by Maurice Hines, featuring music and lyrics by Maurice White, and directed and choreographed by Maurice Hines comes to Broadway following a run in D.C. Book is by MTV scribe Heru Ptah.
Ptah's book, White's music and Hines direction and choreography bring out the emotion, sensitivity and the heart of Hot Feet. Together they weave a Faustian tale about a beautiful young dancer - Kalimba, whose whole life's dreams and ambition are to be a Broadway dancer. Kalimba is cajoled to dance with a pair of magical and enchanted red shoes, when she puts them on they begin to take control of the talented dancer's fate.
THEATER/VENUE INFORMATION:
Foxwoods Theatre
213 W 42nd St
New York, NY 10036
Canadian impresario Garth Drabinsky tore down The Apollo and Lyric Theatres to create Ford Center For Performing Arts in 1997, which housed his production of the musical Ragtime. Clear Channel Entertainment joined forces with the Hilton Hotels Corpo [...] Read More
213 W 42nd St
New York, NY 10036
Canadian impresario Garth Drabinsky tore down The Apollo and Lyric Theatres to create Ford Center For Performing Arts in 1997, which housed his production of the musical Ragtime. Clear Channel Entertainment joined forces with the Hilton Hotels Corpo [...] Read More
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recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.
©1999-2012 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy
You've heard the statement, "Cold feet, warm heart"? Allow me to introduce you to a new expression: "Hot Feet, old hat." Triteness is the biggest sin committed by this show, which was inspired by a much better property, The Red Shoes. The scrim that greets us as we enter the Hilton Theatre may well be symbolic in that there's nothing on it.
Maurice Hines has "conceived, directed, and choreographed" a show that's more boring than terrible. Throughout musical theater history, the best choreography has come from good, basic ideas. "Who's That Woman?" in Follies shows us how even the greatest beauties age; "We'll Take a Glass Together from Grand Hotel celebrates a stock market killing. In Hot [...]