The tale of J.M. Barrie's beloved boy who won't grow up has been a relatively indestructible brand for over a century, successfully tweening through various plays, musicals, films, and television adaptations. Now, another version of
Peter Pan is sprinkling digital fairy dust like mad at the newly installed threesixty theatre at Ferry Park on the Embarcadero. Unfortunately, however, this high-tech production adds little to the legacy other than some nifty special effects.

Tanya Roder's script is a Cliff Notes telling of the story and offers no new insights to the characters. But the larger problem is the music by Benjamin Wallfisch, which is mostly cinematic instrumentals except for a couple[...]